{"title":"All Available","description":"","products":[{"product_id":"brynn-higgins-stirrup-limited-edition-letterpress-print","title":"Exercise in Stationary Movement (To Not Touch but To Think About Touching) Limited Edition Print","description":"\u003cp\u003eProduced in conjunction with the 2017 exhibition \u003cem\u003e\u003ca href=\"https:\/\/criticaldistance.ca\/program\/the-path-the-divide\/\"\u003e\u003cstrong\u003eThe Path, The Divide | Brynn Higgins-Stirrup\u003c\/strong\u003e\u003c\/a\u003e\u003c\/em\u003e, curated by \u003cstrong\u003eOana Tanase\u003c\/strong\u003e. A signature card is included with the print, suitable for mounting on the back of a frame.\u003c\/p\u003e\n\u003cp\u003eFascinated by the ways in which we confront and reconcile intuitive inquiry with organized thought and form, \u003cstrong\u003eHiggins-Stirrup\u003c\/strong\u003e has developed a distinctive visual language and practice that revolves around learning systems, geometry, mapping, and writing. Seducing the viewer through technical exactitude and material subtlety, her artworks speak of the space that lies between knowledge and truth, information and meaning.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eExercise in Stationary Movement (To Not Touch but To Think About Touching), 2017\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eBrynn Higgins-Stirrup\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eLetterpress print on 140lb Muscletone paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e9 x 6 inches\u003cbr\u003eEdition of 20, signed and numbered by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eBrynn Higgins-Stirrup\u003c\/strong\u003e received a BFA Honors at Queen’s University in 2013 and studied at Monash University in Australia in 2012. She is currently an MFA candidate in the Penny W Stamps School of Art and Design at the University of Michigan. She has exhibited across Canada, the United States and Europe. In 2016 Higgins-Stirrup was awarded an emerging visual artist grant by the Ontario Arts Council and her artworks have been presented at DNA Artspace (London, Ontario), Truck Contemporary (Calgary, Alberta), Transmitter Gallery (Brooklyn, New York), and the international art exhibition The Lesson of Nature, during Bucharest Art Week (Romania).\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":46355241173162,"sku":null,"price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-25.jpg?v=1766021832"},{"product_id":"the-new-gods-limited-edition-print","title":"The New Gods (Cardboard Man)","description":"\u003cp\u003eProduced in conjunction with the exhibition \u003ca href=\"https:\/\/criticaldistance.ca\/program\/the-new-gods-alejandro-garcia-contreras-josee-pedneault\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eThe New Gods | Alejandro Garcia Contreras and Josée Pedneault\u003c\/strong\u003e\u003c\/em\u003e,\u003c\/a\u003e curated by \u003cstrong\u003eShani K Parsons \u003c\/strong\u003ein 2015\u003cstrong\u003e. \u003c\/strong\u003eA signature card is included with the print, suitable for mounting on the back of a frame. The print is available unframed only at this time.\u003c\/p\u003e\n\u003cp\u003eFeaturing an extraordinary series of large-scale photographs and a selection of intricate sculptures and paintings,\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003eThe New Gods\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003eexhibition examines fantastical rites of spring that have emerged spontaneously within Carrillo Puerto, an isolated village in the mountains of Chiapas. Elsewhere in Mexico it is a day of organized procession, penitence, and mourning, but in this small village it has evolved into an irreverent, chaotic, and carnivalesque celebration of the absurd. Drawing on an unholy mix of religious beliefs, local and popular culture, pagan traditions, and personal mythologies, participants don homemade costumes that are highly transformative, often verging on pure abstraction. The chimerical personalities they assume become an alternate pantheon of strange deities and demons, existing in opposition to the highly codified characters and narratives of the traditional Passion play.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFor a limited time, this catalogue is available as a donation perk in support of our Lucky 13 crowdfunding campaign — check it out \u003ca rel=\"noopener\" href=\"https:\/\/shop.criticaldistance.ca\/products\/lucky-13?_pos=1\u0026amp;_sid=74c2fc941\u0026amp;_ss=r\u0026amp;variant=47748074242218\" target=\"_blank\"\u003ehere\u003c\/a\u003e!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eThe New Gods (Cardboard Man)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eAlejandro Garcia Contreras\u003cbr\u003eJosée Pedneault\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eArchival inkjet print \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e9 x 6 inches\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artists\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAlejandro Garcia Contreras\u003c\/strong\u003e has exhibited widely in Mexico at venues including the Museum of Modern Art and Museo Experimental “El Eco” in Mexico City, and Centro Cultural Jaime Sabines in Tuxtla Gutierrez Chiapas, as well as internationally. In 2008 he co-founded the Laboratorio de Artes de Chiapas and in 2009 he joined Neter, an initiative promoting young Mexican artists around the world. Garcia Contreras holds a Bachelor’s degree in visual art from the Instituto Nacional de Bellas Artes in Mexico City and has received awards from Artfest International (2006) and the FONCA Jovenes Creadores (2009, 2014).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eJosée Pedneault\u003c\/strong\u003e holds an MFA (hon) in studio art from Concordia University and has exhibited locally and internationally in North America, Europe and Asia. In 2007 she received the People’s Choice Award at Le Mois de la photo in Montreal, and in 2010, her work was included in the Canadian Pavillion exhibition at the World’s Fair in Shanghai. Pedneault is co-founder and board president of Les Territoires, a nonprofit organization providing opportunities to emerging artists and curators. She also teaches photography at Concordia.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":46355234848938,"sku":null,"price":35.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-01.jpg?v=1729358871"},{"product_id":"the-new-gods-exhibition-catalogue","title":"The New Gods | Alejandro Garcia Contreras and Josée Pedneault","description":"\u003cp\u003eProduced in conjunction with the exhibition \u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/the-new-gods-alejandro-garcia-contreras-josee-pedneault\/\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eThe New Gods\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e, curated by \u003cstrong\u003eShani K Parsons.\u003c\/strong\u003e  \u003c\/p\u003e\n\u003cp\u003eFeaturing an extraordinary series of large-scale photographs and a selection of intricate sculptures and paintings, \u003cem\u003e\u003cstrong\u003eThe New Gods\u003c\/strong\u003e\u003c\/em\u003e examines fantastical rites of spring that have emerged spontaneously within Carrillo Puerto, an isolated village in the mountains of Chiapas. Elsewhere in Mexico it is a day of organized procession, penitence, and mourning, but in this small village it has evolved into an irreverent, chaotic, and carnivalesque celebration of the absurd. Drawing on an unholy mix of religious beliefs, local and popular culture, pagan traditions, and personal mythologies, participants don homemade costumes that are highly transformative, often verging on pure abstraction. The chimerical personalities they assume become an alternate pantheon of strange deities and demons, existing in opposition to the highly codified characters and narratives of the traditional Passion play.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe catalogue contains a curatorial essay and Q+A with the artists by CDCC Founding Director Shani K Parsons. An exhibition checklist, full documentation of all the works in the exhibition, and artist\/curator bios are also included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFor a limited time, this catalogue is available as a donation perk in support of our Lucky 13 crowdfunding campaign — check it out \u003ca href=\"https:\/\/shop.criticaldistance.ca\/products\/lucky-13?_pos=1\u0026amp;_sid=74c2fc941\u0026amp;_ss=r\u0026amp;variant=47748074242218\" target=\"_blank\" rel=\"noopener\"\u003ehere\u003c\/a\u003e!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eAlejandro Garcia Contreras\u003cbr\u003eJosée Pedneault\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurator\u003c\/span\u003e\u003cbr\u003eShani K Parsons\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2015\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, perfect-bound\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e9 x 6 inches\u003cbr\u003e82 pages\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-1-36-707234-3\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":1876443496478,"sku":"S-GODS-TPRO-BLUR-2016","price":35.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/GODS_1.jpg?v=1770950940"},{"product_id":"lyla-rye-limited-edition-print","title":"Erratic Room (Limited Edition Print)","description":"\u003cp\u003eProduced in conjunction with the exhibition \u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/erratic-room-lyla-rye\/\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eErratic Room\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e, showcasing work by\u003cem\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003eLyla Rye\u003cem\u003e, \u003c\/em\u003e\u003c\/strong\u003ecurated by \u003cstrong\u003eShani K Parsons \u003c\/strong\u003ein 2013. A signature card is included with the print, suitable for mounting on the back of a frame. The print is available unframed only at this time.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eLyla Rye\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eErratic Room (TYPOLOGY Print Edition), 2013\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eArchival inkjet print on Ilford Smooth Gloss paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6 x 9 inches\u003cbr\u003eEdition of 25, signed and numbered by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLyla Rye\u003c\/strong\u003e is Toronto-based installation artist who began her studies in architecture. She studied at University of Waterloo, York University (BFA 1989), and the San Francisco Art Institute (MFA 1994). Her work has been exhibited across Canada and internationally, and she has work in the public collections of the Art Gallery of Nova Scotia, York University, Cadillac Fairview Corporation, The Tom Thomson Art Gallery, Harbourfront Centre, and the Robert McLaughlin Gallery.\u003c\/p\u003e\n\u003cp\u003eStarting in the early 1990s she was a founding member of the sculptors’ collective Nether Mind. Since that time she has worked in a number of collectives including 5 things, hic and Persona Volare, focusing on site-specific installations in non-gallery spaces. She has had exhibitions in a women’s prison, various industrial basements, a storefront window, a Debates Room, a juniper bush, a classroom, an elevator, and on the edge of the Canadian Shield. \u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":1876445298718,"sku":"2017.28.11","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-13.jpg?v=1729367534"},{"product_id":"deborah-wang-limited-edition-print","title":"C-07 (part truncated cone on shallow cylinder) Limited Edition Print","description":"\u003cp\u003eProduced in conjunction with the exhibition\u003ca href=\"https:\/\/criticaldistance.ca\/program\/loose-ends-mary-grisey-faye-mullen-jerome-nadeau-deborah-wang\/\"\u003e \u003c\/a\u003e\u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/criticaldistance.ca\/program\/loose-ends-mary-grisey-faye-mullen-jerome-nadeau-deborah-wang\/\"\u003eLoose Ends\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e, curated by \u003cstrong\u003eNoa Bronstein\u003c\/strong\u003e. A signature card is included with the print, suitable for mounting on the back of a frame. The print is available unframed only at this time.\u003c\/p\u003e\n\u003cp\u003ePart of a larger project, \u003ci\u003ePhantom Limb\u003c\/i\u003e, through which \u003cstrong\u003eDeborah Wang\u003c\/strong\u003e considers encounters with death and reflects on loss, the \u003ci\u003eEarth Plugs\u003c\/i\u003e series of sculptures is produced through a process that casts soil together with various other forms. Taking on the appearance of gravestones, each sculpture’s white surface is conjoined with an unearthed base, marking the space between seen and unseen worlds. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eC-07 (part truncated cone on shallow cylinder), 2016, from the series \u003cem\u003eEarth Plugs\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eDeborah Wang\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eArchival inkjet on Epson Enhanced Matte paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e9 x 6 inches\u003cbr\u003eEdition of 20, signed and numbered by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDeborah Wang\u003c\/strong\u003e is an independent curator and designer. She holds a Master of Architecture from the University of Waterloo and a Master of Fine Arts from OCAD University. She has curated exhibitions widely in Toronto, and exhibited and spoken on her own work both locally and internationally. Currently Wang splits her time as Creative Director of the Toronto Design Offsite Festival, a senior designer for superkül, and as a scholar\/maker.\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":46355237961898,"sku":null,"price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-05.jpg?v=1729364169"},{"product_id":"loose-ends-exhibition-catalogue","title":"Loose Ends","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExploring the spaces between states of being, \u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/loose-ends-mary-grisey-faye-mullen-jerome-nadeau-deborah-wang\/\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eLoose Ends\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e traces the cyclical\u003c\/span\u003e\u003cspan class=\"text_exposed_show\"\u003e and vernacular places between appearance and disappearance, presence and absence, construction and deconstruction. Each work questions the currency of permanence. Moving between and within, a new kind of relic is realized, one that is both past and present, confined only to the metamorphic\u003c\/span\u003e.\u003cbr\u003e\u003cbr\u003eThis exhibition catalogue contains a Director's Foreword and Curatorial Essay, plus Artists' Texts by\u003cstrong\u003e Mary Grisey, Faye Mullen, Jérôme Nadeau,\u003c\/strong\u003e and \u003cstrong\u003eDeborah Wang\u003c\/strong\u003e. An exhibition checklist, full documentation of all the works in the exhibition, and artist\/curator bios are also included.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eMary Grisey\u003cbr\u003eFaye Mullen\u003cbr\u003eJérôme Nadeau\u003cbr\u003eDeborah Wang\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurator\u003c\/span\u003e\u003cbr\u003eNoa Bronstein\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2017\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, perfect-bound\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6 x 9 inches\u003cbr\u003e56 pages\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-99-211378-0\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":1876446150686,"sku":"CDCC-LSEN-CAT-2016","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/LE.jpg?v=1729962527"},{"product_id":"moving-right-along-exhibition-catalogue","title":"Moving right along | Nicolas Fleming","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCatalogue produced in conjunction with the exhibition \u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/moving-right-along-nicolas-fleming\/\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eMoving right along \u003c\/strong\u003e\u003c\/em\u003e|\u003cstrong\u003e Nicolas Fleming\u003c\/strong\u003e\u003c\/a\u003e. Co-curated by project space Director \u003cstrong\u003eShani K Parsons \u003c\/strong\u003eand CDCC 2015\/16 Resident Curator \u003cstrong\u003eOana Tanase\u003c\/strong\u003e\u003cem\u003e,\u003c\/em\u003e this is the first solo exhibition featuring work by \u003cstrong\u003eNicolas Fleming\u003c\/strong\u003e in Toronto. \u003cbr\u003e\u003cbr\u003eAppropriating the visual language and syntax of design-build practices, Fleming’s new artworks and site-specific installation transform the exhibition space, exploiting the inherent imperfections and irregular marks characteristic of construction sites to challenge the white cube environment in which they are situated. Constructing a room within a room, the artist’s sculptural gestures within the installation include curved walls and the representation of a fountain which bursts through the ceiling, its shiny finish reflecting the bright neon lighting illuminating the space.\u003cbr\u003e\u003cbr\u003eThe catalogue contains a Director's Foreword and a Curatorial Essay, and in-depth Interview with the Artist by Oana Tanase. An exhibition checklist, full documentation of all the works in the exhibition, and artist\/curator bios are also included.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eNicolas Fleming\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurators\u003c\/span\u003e\u003cbr\u003eShani K Parsons\u003cbr\u003eOana Tanase\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2015\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, perfect-bound\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6 x 9 inches\u003cbr\u003e48 pages\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-99-211377-3\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":1876447232030,"sku":"TPRO-MVRT-CAT-2015","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/MRA.jpg?v=1729879774"},{"product_id":"the-lowest-relief-exhibition-catalogue","title":"The Lowest Relief | Maria Flawia Litwin","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eExhibition catalogue produced in conjunction with \u003ca href=\"https:\/\/criticaldistance.ca\/program\/the-lowest-relief-maria-flawia-litwin\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eThe Lowest Relief\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e, curated by \u003cstrong\u003eKatherine Dennis \u003c\/strong\u003eand featuring a selection of cut paper works by \u003cstrong\u003eMaria Flawia Litwin\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e.\u003cbr\u003e\u003cbr\u003eIn this new body of work, Litwin uses \u003cem\u003ewycinanki\u003c\/em\u003e (pronounced vih-chee-nahn-kee), a Polish paper cutting tradition, to weave stories layered with personal memories, social history, symbolism and mythology. Each work stems from a significant autobiographical detail in the artist’s life. Yet the illustrations are stripped of overt personal narrative. The focus instead is on quintessential life experiences — those as simple and complex as birth and death, and as fleeting or all encompassing as love, alienation, pain, fear or passion — that transcend gender, geography and culture.\u003cbr\u003e\u003cbr\u003eThe catalogue contains a Director's Foreword, Curatorial Essay by\u003cstrong\u003e \u003c\/strong\u003eKatherine Dennis, and Interview with the Artist by \u003cstrong\u003eCaiomhe Morgan-Feir\u003c\/strong\u003e. 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Parsons \u003c\/strong\u003efeaturing unique and editioned book works by Saskatchewan artist \u003cstrong\u003eCathryn Miller\u003c\/strong\u003e. Ranging from tiny folded paper projects to a new wall-sized composition, the thoughtfully conceived and often laboriously crafted works in the show represent a sustained investigation of manifold worlds, encompassing both the inner\/outer, micro\/macro, and meta\/physical dimensions. 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So what do these representations reveal to us about artists and their work?\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eAuthor\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eTemporary Services (Brett Bloom, Marc Fischer, Salem Collo-Julin)\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003ePublisher\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eHalf Letter Press\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003ePublication date\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e2005\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003eBinding\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eStaple-bound softcover\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e8.5 x 5.5 x 0.125 inches\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Temporary Services \/ Half Letter Press","offers":[{"title":"Default Title","offer_id":3403723046942,"sku":"2017.40.1","price":7.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/67-FramingWEBbig__51119.1403026971.jpg?v=1508611218"},{"product_id":"phantasmagoria-specters-of-absence-independent-curators-international","title":"Phantasmagoria: Specters of Absence","description":"\u003cp\u003ePublished to accompany the traveling exhibition \u003cstrong\u003ePhantasmagoria: Specters of Absence\u003c\/strong\u003e, this book features works by twelve contemporary artists from various parts of the world who reflect upon the fleeting nature of physicality– on disappearance and loss, ghosts and shadows. In these works, mysterious images flicker across fog and smoke, or silhouettes dance on walls. Ranging from the festive to the ironic, they show a fascination with perceptual ambiguities and the macabre, often with visual trickery inspired by the 18th – and 19th-century stage spectacle known as the “phantasmagoria.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eAuthor(s)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eJosé Roca\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBruce Sterling\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003ePublisher(s)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIndependent Curators International (ICI), New York\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eHardcover\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003eSize\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e72 pages, 8.75\" x 9.75\", 37 color and 4 black-and-white illustrations\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eLanguage(s)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eEnglish\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003ePublication date\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e2007\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cb id=\"docs-internal-guid-9b33a0a9-7fff-2b83-5a5e-e2d5c93d4873\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e0-916365-76-9\u003c\/span\u003e\u003c\/p\u003e\n\u003cform action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" target=\"paypal\"\u003e\u003c\/form\u003e","brand":"Independent Curators International","offers":[{"title":"Default Title","offer_id":3405175783454,"sku":"2017.52.1","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-230.jpg?v=1648948077"},{"product_id":"the-fucking-ocean-and-the-fucking-ocean-pt-ii-leah-wellbaum-blue-pear-projects","title":"The Fucking Ocean","description":"\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003cbr\u003eComprising photos of the ocean taken while the artist, \u003cstrong\u003eLeah Wellbaum\u003c\/strong\u003e, was on tour and writing songs for her band Slothrust, this zine reflects the artist's relationship, both \"terrified and fascinated\" to the ocean.\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003eSelected\/curated by \u003cstrong\u003eAnthony Stepter\u003c\/strong\u003e as a part of the\u003cem\u003e\u003cstrong\u003e \u003ca href=\"https:\/\/criticaldistance.ca\/program\/generators-at-toabf\/\" rel=\"noopener\" target=\"_blank\"\u003eGenerators\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e exhibition, co-presented with Toronto Art Book Fair and Critical Distance in 2017.\u003c\/div\u003e\n\u003cdiv data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist \u003c\/span\u003e\u003cbr\u003eLeah Wellbaum\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eBlue Pear Projects\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2015\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e8 x 5 inches\u003cbr\u003e32 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, staple bound, digital colour\u003c\/p\u003e","brand":"Leah Wellbaum \/ Blue Pear Projects","offers":[{"title":"Default Title","offer_id":3406210039838,"sku":"2017.58.1","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/LWellbaum_The_Fucking_Ocean.jpg?v=1509077571"},{"product_id":"bruises-leah-wellbaum-blue-pear-projects","title":"Bruises","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003cbr\u003eTrue to its title, \u003cstrong\u003e\u003cem\u003eBruises\u003c\/em\u003e\u003c\/strong\u003e provides a visual record of the variety of bruises found on the body of artist \u003cstrong\u003eLeah Wellbaum\u003c\/strong\u003e. Ranging in appearance from deep pink welts to a faint imprint on pale skin, the physical trauma is rendered a strangely beautiful dermal reaction. With lo-fi photography collaged into simple overlay arrangements, \u003cem\u003eBruises \u003c\/em\u003etakes a light-handed and even humorous approach to the documentation of an ephemeral marking on the human body.\"\u003c\/p\u003e\n\u003cp\u003e- From \u003cem\u003ePrinted Matter\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSelected\/Curated by \u003cstrong\u003eAnthony Stepter\u003c\/strong\u003e as a part of the\u003cem\u003e\u003cstrong\u003e \u003ca href=\"https:\/\/criticaldistance.ca\/program\/generators-at-toabf\/\" rel=\"noopener\" target=\"_blank\"\u003eGenerators\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003ca href=\"https:\/\/criticaldistance.ca\/program\/generators-at-toabf\/\" rel=\"noopener\" target=\"_blank\"\u003e \u003c\/a\u003eexhibition, co-presented with Toronto Art Book Fair and Critical Distance in 2017.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eLeah Wellbaum\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eBlue Pear Projects\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2015\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e5.75 x 5.75 inches\u003cbr\u003e16 pages\u003cbr\u003eEdition of 100\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, staple bound, digital colour\u003c\/p\u003e","brand":"Leah Wellbaum \/ Blue Pear Projects","offers":[{"title":"Default Title","offer_id":3406245429278,"sku":"2017.59.1","price":12.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/b5hqe2gmsp5q8yjtkfmt.jpg?v=1729362737"},{"product_id":"library-excavations-3-periodical-business-half-letter-press","title":"Library Excavations #3: Periodical Business","description":"\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cbr\u003eLibrary Excavations\u003c\/strong\u003e\u003c\/em\u003e is a project and publication series that highlights and activates physical materials found in public libraries. \u003cstrong\u003ePublic Collectors\u003c\/strong\u003e prefers direct experiences of physical media over the digital. \u003cem\u003eLibrary Excavations \u003c\/em\u003eencourages intensive browsing of paper and print resources, particularly those that are under-utilized, or at risk of being withdrawn and discarded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eLibrary Excavations #3\u003c\/strong\u003e\u003c\/em\u003e excerpt from back cover:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThe Chicago Public Library's Harold Washington Library Centre is home to a vast collection of bound business periodicals. The many shelves are filled with titles that will be foreign to industry outsiders. Some date back to the late 1800s...These photos were taken in July and August 2016. I hope that they will entice others to explore these periodicals and interrogate the value systems, ideologies, and visual pleasures they contain.\" \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e- Marc Fischer\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Publisher\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublic Collectors\u003c\/strong\u003e was founded in 2007 by Marc Fischer, upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eMarc Fischer\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003ePublic Collectors\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2016\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, staple-bound, offset three-colour risograph\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e5.5 x 8.5 inches\u003cbr\u003e32 pages\u003cbr\u003eEdition of 516\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Half Letter Press","offers":[{"title":"Default Title","offer_id":4005791301662,"sku":"2017.43.1","price":8.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-63.jpg?v=1729875855"},{"product_id":"augustine-zefers-filthglycerin","title":"filthglycerin (Limited Edition Print)","description":"\u003cp\u003eProduced in conjunction with the exhibition \u003cem\u003e\u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/fermenting-feminism\/\" target=\"_blank\"\u003e\u003cb\u003eFermenting Feminism\u003c\/b\u003e\u003c\/a\u003e\u003c\/em\u003e, curated by \u003cstrong\u003eLauren Fournier\u003c\/strong\u003e. A signature card is included with the print, suitable for mounting on the back of a frame.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003efilthglycerin, 2017\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eAgustine Zegers\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eArchival print on Epson Premium Lustre paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e9 x 6 inches\u003cbr\u003eEdition of 10 signed and numbered by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAgustine Zegers\u003c\/strong\u003e is a Chilean visual artist and bacterial community, currently finishing a BA at NYU Abu Dhabi. They have exhibited work in Santiago, Dubai, Sharjah, Abu Dhabi, and New York.\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":4867709567006,"sku":"2017.63.04","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-08.jpg?v=1729370916"},{"product_id":"crossing-the-line-contemporary-art-from-denmark","title":"Crossing the Line","description":"\u003cp\u003eExhibition catalogue produced in conjunction with\u003cstrong\u003e \u003cem\u003e\u003ca href=\"https:\/\/criticaldistance.ca\/program\/crossing-the-line\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003eCrossing the Line\u003c\/b\u003e\u003c\/a\u003e\u003c\/em\u003e\u003c\/strong\u003e, curated by\u003cstrong\u003e Earl Miller \u003c\/strong\u003ein 2017, featuring work by \u003cstrong\u003eJeannette Ehlers\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003ePatricia Kaersenhout\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eSøren Thilo Funder\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eJens Haaning\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eMaj Hasager\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eTina Helen\u003c\/strong\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cstrong\u003e Stine Marie Jacobsen\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eJane Jin Kaisen\u003c\/strong\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cstrong\u003eLilibeth Cuenca Rasmussen.\u003c\/strong\u003e \u003cem\u003eCrossing the Line\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003eis a timely and provocative survey of contemporary Danish art. Recognizing the transnational nature of much recent art from Denmark, the exhibition asks: Can a nation define itself culturally by looking beyond its traditional borders?\u003c\/p\u003e\n\u003cp\u003eOften boldly political, the work of the nine featured emerging and established artists considers cultural hegemonies, the nation state in a global framework, post-colonialism, nomadism, and the Syrian refugee crisis. Through performance, photography, video, sculpture, and sound, Jeannette Ehlers and Patricia Kaersenhout, Søren Thilo Funder, Jens Haaning, Maj Hasager, Tina Helen, Stine Marie Jacobsen, Jane Jin Kaisen, and Lilibeth Cuenca Rasmussen reveal migrant patterns and alter them in unexpected ways. Challenging traditional gender, racial, and national divides, the artists often reverse roles: women become men; black men become white; tourists become locals; locals become tourists. Ultimately, \u003cem\u003eCrossing the Line\u003c\/em\u003e examines the response of one country’s artists to questions of international import. For many Canadians, the exhibition will serve as an introduction to the vibrant contemporary art scene in Denmark. In turn, for several of the artists, \u003cem\u003eCrossing the Line\u003c\/em\u003e will be the first exhibition to feature their work in North America.\u003cbr\u003e\u003cbr\u003eThe catalogue contains a Director's Foreword, Curatorial Essay and Artist Q\u0026amp;A. An exhibition checklist, images of all of the works in the exhibition, and artist\/curator bios are also included.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eJeannette Ehlers\u003cbr\u003ePatricia Kaersenhout\u003cbr\u003eSøren Thilo Funder\u003cbr\u003eJens Haaning\u003cbr\u003eMaj Hasager\u003cbr\u003eTina Helen\u003cbr\u003eStine Marie Jacobsen\u003cbr\u003eJane Jin Kaisen\u003cbr\u003eLilibeth Cuenca Rasmussen.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eCurator\u003c\/span\u003e\u003cbr\u003eEarl Miller\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eBinding\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eSoftcover, perfect-bound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6 x 9 inches\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-99-599823-0\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":4868940857374,"sku":"","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/CTL.jpg?v=1729365158"},{"product_id":"the-lowest-relief","title":"The Lowest Relief (Varied Edition)","description":"\u003cp\u003eVaried edition of hand-cut paper artworks by Toronto-based artist \u003cstrong\u003eMaria Flawia Litwin\u003c\/strong\u003e — each one unique! Produced in conjunction with Litwin's solo exhibition \u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/the-lowest-relief-maria-flawia-litwin\/\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eThe Lowest Relief\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e at CDCC in 2015.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNOTE: Colours in the actual artworks are brighter than they appear in these images. Please inquire at info@criticaldistance.ca if you would like further details. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eMaria Flawia Litwin\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eThe Lowest Relief, 2015\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eHand-cut paper composition\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e9 x 6 inches\u003cbr\u003eVaried edition of 10\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":4906028040222,"sku":"","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/image_8db6f214-e7c1-4d12-ab3e-a3bac03a2fd5.jpg?v=1670390877"},{"product_id":"ed-panar-animals-that-saw-me","title":"Animals That Saw Me, Volume Two","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003eAnimals That Saw Me, Volume Two\u003c\/strong\u003e\u003c\/em\u003e presents a new collection of photographs from the observational wanderings of \u003cstrong\u003eEd Panar\u003c\/strong\u003e, author of \u003cstrong\u003e\u003cem\u003eAnimals That Saw Me, Volume One\u003c\/em\u003e\u003c\/strong\u003e (out of print). This body of work, encompassing recent pictures and newly discovered gems from Panar’s vast back catalogue, records a series of brief, often strangely amusing moments in which nonhuman species (mammal, reptile, bird or insect) seem to behold the human photographer. Edited for the viewer’s maximum delight, the photos convey a whimsical concept with surprisingly complex ramifications under the surface. Why do we distinguish between “us” and “them,” and what exists in the space between these distinctions? What does it mean to make “eye contact” with another species? What does the presence of a camera add to this phenomenon? Channeling the same thoughtful humor, wonder and peculiar engagement with the world that made the first volume of \u003cem\u003eAnimals That Saw Me\u003c\/em\u003e an instant hit, this second installment also includes an original essay by acclaimed speculative realist philosopher \u003cstrong\u003eTimothy Morton.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eEd Panar\u003cbr\u003ewith essay by Timothy Morton\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eThe Ice Plant\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2016\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eHardcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e7.3 x 8.75 inches\u003cbr\u003e80 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0989785976\u003c\/p\u003e","brand":"Ed Panar \/ The Ice Plant","offers":[{"title":"Default Title","offer_id":7516292513822,"sku":"2018.01.01C","price":40.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-237.jpg?v=1728186178"},{"product_id":"kahed-hourani-zebra-copy-card","title":"Zebra Copy Card","description":"\u003cp\u003eIs seeing believing? Playing on the possibilities and implications born of optical illusions, \u003cstrong\u003eZebra Copy Card\u003c\/strong\u003e documents the transformation of one animal into another in response to political realities.\u003c\/p\u003e\n\u003cp\u003eProduced in conjunction with the exhibition \u003ca href=\"https:\/\/criticaldistance.ca\/program\/we-look-at-animals-because\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eWe Look At Animals Because\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e\u003cstrong\u003e \u003c\/strong\u003eat Critical Distance in Winter 2018. In partnership with \u003cstrong\u003eSouth Asian Visual Arts Centre \u003c\/strong\u003e(SAVAC), \u003cem\u003eWe Look At Animals Because\u003c\/em\u003e was an exhibition that gazed on animality. Through the lens of spectatorship, the show explored the shifting ways in which animals are regarded, represented and accorded meaning in post-industrial landscapes. Exhibiting photographs, video, works on paper, and sculpture, the featured artists reveal the nuanced, complicated and unexpected paradoxes that mark our relationships with cosmopolitan animals.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eZebra Copy Card\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eKhaled Hourani\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eDigital print on matte cardstock\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e4 x 6 inches\u003cbr\u003eEdition of 100\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eKhaled Hourani \u003c\/strong\u003eis based in Ramallah, Palestine, and has exhibited widely including a retrospective at the CCA in Glasgow and Gallery One in Ramallah, dOCUMENTA (13), and the 2011 Sharjah Biennial. He is a co-founder of the International Academy of Art in Palestine and recently received the Leonore Annenberg Prize by Creative Time for Art and Social Change, New York.\u003c\/span\u003e\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":7516313681950,"sku":"c-KHOU-ZEBRA-PRT-2018","price":5.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-09-b.jpg?v=1766021726"},{"product_id":"ciprian-muresan-script-stage-screen","title":"Script, Stage, Screen | Ciprian Muresan","description":"\u003cp\u003eCatalogue produced for the 2016 exhibition \u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/script-stage-screen-ciprian-muresan\/\" target=\"_blank\"\u003e\u003cstrong\u003e\u003cem\u003eScript, Stage, Screen\u003c\/em\u003e\u003c\/strong\u003e\u003c\/a\u003e. Through the use of puppetry, \u003cstrong\u003eCiprian Mureșan\u003c\/strong\u003e engages performative modes of writing, enacting, and visualizing both the absurd and the whimsical, bringing viewers into surprising and intimate discourse with crucial themes of our times\u003cem\u003e\u003cstrong\u003e.\u003c\/strong\u003e\u003c\/em\u003e Whether performing the scripts of influential playwrights such as Saviana Stănescu (\u003cem\u003eDog Luv\u003c\/em\u003e, 2009) or generating new texts (\u003cem\u003eI’m Protesting Against Myself\u003c\/em\u003e, 2011, in collaboration with Gianina Cărbunariu, or \u003cem\u003eUntitled\u003c\/em\u003e\u003cspan\u003e, 2015, with members of the community), Mureșan’s projects speak to ideals of collective intelligence even as they concede the continuing failure of true communality. The audience is challenged not only to reflect upon themes of trust and belief, and the violence that often characterizes interactions between the self, society, and structures of power, but also to imagine a hybrid space in which the ordinary and fantastic can coexist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe catalogue contains a curatorial essay, an exhibition checklist, images of all of the works in the exhibition, and artist\/curator bios. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eCiprian Muresan\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurator\u003c\/span\u003e\u003cbr\u003eOana Tanase\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2016\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, perfect-bound\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6 x 9 inches\u003cbr\u003e31 pages\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-99-599821-6\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eCiprian Mureșan\u003c\/b\u003e (b. 1977) lives and works in Cluj, Romania. Recent solo exhibitions and presentations include: Working from Language, Salonul de proiecte, Bucharest (2015), Your survival is guaranteed by treaty, Ludwig Museum of Contemporary Art, Budapest (2015), Presentation and Video Screening, Centre Pompidou – Cinema 2, Paris (2015), Obstacle Racing, Hochschule für Bildende Künste Braunschweig (2014), Stage and Twist (with Anna Molska), Tate Modern, London (2012), and Recycled Playground, on view successively at FRACChampagne-Ardenne, Reims (2011), Centre d’art contemporaine, Geneva (2012), and Contemporary Art Gallery, Vancouver (2013).\u003c\/p\u003e\n\u003cp\u003eHis work has also been featured in a number of important international group exhibitions, including: Chercher le garçon, Musée d´art contemporain du Val-de-Marne MAC\/Val (2015), Mapping Bucharest: Art, Memory and Revolution 1916–2016, MAK–Austrian Museum of Applied Arts\/Contemporary Art (2015), Workers leaving the studio. Looking away from socialist realism, National Gallery of Arts, Tirana (2015), Allegory of the Cave Painting, Extra City Kunsthal, Antwerp (2014), Six Lines of Flight: Shifting Geographies in Contemporary Art, San Francisco Museum of Modern Art (SFMOMA) (2012), Les Promesses du passé, Centre Pompidou, Musée National d´Art Moderne, Paris (2010); The Generational: Younger Than Jesus, New Museum, New York; and The Seductiveness of the Interval, the Romanian Pavilion at the 53rd Venice Biennale (2009). Since 2005, Mureșan has been a member of the editorial team at IDEA arts+society magazine.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Curator \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eOana Tanase\u003c\/strong\u003e is a Toronto-based independent curator and researcher. She holds a MA in Art History and Theory from the National University of Arts in Bucharest, Romania and is currently completing her PhD thesis that aims at discussing documentary practices in contemporary art.\u003c\/p\u003e\n\u003cp\u003eHer latest curatorial projects in Toronto include \u003cem\u003eMoving right along | Nicolas Fleming \u003c\/em\u003e(with Shani K Parsons), Critical Distance,\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003eDan Perjovschi: As If All Yesterday’s News Should Be Rehearsed Today For A Better Tomorrow\u003c\/em\u003e, YYZ Artists’ Outlet; \u003cem\u003eCommunity (Love) Creates Change\u003c\/em\u003e (with Denise Moraze), Peter MacKentrick Community Gallery; and \u003cem\u003eBefore and After: Celebrating 100 Years of The Barns\u003c\/em\u003e (with Vid Ingelevics), Artscape Wychwood Barns. Previously, she worked as a curator at the National Museum of Contemporary Art in Bucharest(2006-2012) and as an assistant curator at the Galerie für Zeitgenössische Kunst in Leipzig (2005-2006).\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":12410707279949,"sku":"S-SCRP-TPRO-BLUR-2018","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/CMSSS.jpg?v=1729884227"},{"product_id":"how-to-mend-on-motherhood-and-its-ghosts-arabic-iman-mersal","title":"How to Mend: Motherhood and its Ghosts","description":"\u003cp\u003eIn \u003cstrong\u003e\u003cem\u003eHow to mend: motherhood and its ghosts,\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eIman Mersal\u003c\/strong\u003e moves through unfamiliar spaces – internal, fluid and complex. Her voice changes, moving in and out of focus, back and forth in time, and across different physical spaces and cultural spaces. The strokes of the book are fine and interlacing, moving between the lyrical, diaristic, poetic and academic. They are quite serious and burdened steps towards an inner-space that is often neglected and dismissed from mainstream writings on motherhood. Edited by \u003cstrong\u003eMaha Maamoun\u003c\/strong\u003e, \u003cstrong\u003eAla Younis\u003c\/strong\u003e, with \u003cstrong\u003eMai Abu ElDahab\u003c\/strong\u003e, \u003cem\u003eHow to mend: motherhood and its ghosts\u003c\/em\u003e is a joint collaboration between \u003cstrong\u003eKayfa ta\u003c\/strong\u003e and \u003cstrong\u003eMophradat\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCondition Note: our copies of\u003cspan\u003e How to Mend: Motherhood and its Ghosts\u003c\/span\u003e are new but show minor\u003cspan\u003e \u003c\/span\u003ewear on covers due to shipping from Germany. Contact us for more information\/images if desired.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePricing Note: This item was previously priced incorrectly due to a calculation error. The current price of $15 CAD is correct and we will issue a refund for the difference if you purchased this item at the higher price. Please inquire at accounts (at) criticaldistance (dot) ca, and apologies for any inconvenience. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eIman Mersal\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditors\u003c\/span\u003e\u003cbr\u003eMaha Maamoun\u003cbr\u003eAla Younis\u003cbr\u003eMai Abu ElDahab\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublishers\u003c\/span\u003e\u003cbr\u003eSternberg Press\u003cbr\u003eKayfa ta\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2018\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e3.75 x 6 inches\u003cbr\u003e168 pages (English)\u003cbr\u003e152 pages (Arabic)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguages\u003c\/span\u003e\u003cbr\u003eEnglish\u003cbr\u003eArabic\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-3-95679-170-3 (Arabic)\u003cbr\u003e978-3-95679-425-4 (English)\u003c\/p\u003e","brand":"Iman Mersal \/ Kayfa ta","offers":[{"title":"English","offer_id":12439491903565,"sku":"","price":15.0,"currency_code":"CAD","in_stock":false},{"title":"Arabic","offer_id":13158901284941,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/61vQKcdX_jL._SL1000.jpg?v=1729282074"},{"product_id":"i-am-built-inside-you-contemporary","title":"I am built inside you","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003eI am built inside you \u003c\/strong\u003e\u003c\/em\u003eis \u003cstrong\u003eC\u0026amp;’s\u003c\/strong\u003e first book, is a compilation of eighteen pieces published since the magazine was launched in 2013. The point of departure is a conversation with the great South African artist \u003cstrong\u003eHelen Sebidi\u003c\/strong\u003e that took place on the occasion of the 32rd São Paulo Biennial in 2016. The volume collects significant pieces from the C\u0026amp;\u003cstrong\u003e \u003c\/strong\u003earchive that expand upon and contextualize Sebidi’s concepts of home, history, and spirituality. Included as well are interviews with emerging South African artist \u003cstrong\u003eTabita Rezaire\u003c\/strong\u003e; \u003cstrong\u003eSenga Nengudi\u003c\/strong\u003e, artist and core member of the African-American avant-garde in 1970s and ’80s Los Angeles; \u003cstrong\u003eThelma\u003c\/strong\u003e \u003cstrong\u003eGolden\u003c\/strong\u003e, legendary director of the Studio Museum in Harlem; and pathbreaking academic \u003cstrong\u003eWalter Mignolo\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eContributors\u003c\/span\u003e\u003cbr\u003eNaomi Beckwith\u003cbr\u003eClare Davies\u003cbr\u003eAïcha Diallo\u003cbr\u003eGabriele Genge\u003cbr\u003eThelma Golden\u003cbr\u003eGugulective\u003cbr\u003eElsa Guily\u003cbr\u003eEJ Hill\u003cbr\u003eEuridice Kala\u003cbr\u003eBasia Lewandowska Cummings\u003cbr\u003eYoussef Limoud\u003cbr\u003eMisheck Masamvu\u003cbr\u003eWalther Mignolo\u003cbr\u003ePatrick Mudekereza\u003cbr\u003eSenga Nengudi\u003cbr\u003eGabi Ngcobo\u003cbr\u003eAn Paenhuysen\u003cbr\u003eThiago de Paula Souza\u003cbr\u003eAdriana Quiñones León\u003cbr\u003eLuciane Ramos-Silva\u003cbr\u003eTabita Rezaire\u003cbr\u003eMagnus Rosengarten\u003cbr\u003eSidney Santiago Kuanza\u003cbr\u003eHelen Sebidi\u003cbr\u003eLucélia Sergio\u003cbr\u003eOlufemi Terry\u003cbr\u003eWana Udobang.\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003ePublishers\u003c\/span\u003e\u003cbr\u003eSternberg Press\u003cbr\u003eContemporary And (C\u0026amp;)\u003cbr\u003eIFA (Institut für Auslandsbeziehungen)\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2017\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eHardcover\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e7.25 x 4.5 inches\u003cbr\u003e194 pages\u003cbr\u003eIllustrated\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-3-95679-329-5\u003cbr\u003e\u003c\/p\u003e","brand":"Contemporary And(C\u0026)","offers":[{"title":"Default Title","offer_id":12439608754253,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-07.jpg?v=1729968520"},{"product_id":"say-it-loud-jeannette-ehlers","title":"Say it Loud!","description":"\u003cp\u003eEdition of 1000\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003cbr\u003eDrawing links between Marienborg (the official residence of the Danish prime minister), the Haitian revolution, human trafficking, Kendrick Lamar, the slave whip, black skin, and her personal history, \u003cstrong\u003eJeannette Ehlers\u003c\/strong\u003e addresses Denmark’s past as a colonial power and slave trading nation and the implications this history has for Europe today. In \u003cem\u003e\u003cstrong\u003eSay It Loud!\u003c\/strong\u003e\u003c\/em\u003e Jeannette Ehlers presents and discusses her work through photographs and newly written texts and interviews on topics such as identity, ethnicity and history, particularly with regard to Denmark’s colonial history.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cem\u003ePlease note: our copies of\u003cspan\u003e \u003c\/span\u003eSay it Loud! are new but show minor\u003cspan\u003e \u003c\/span\u003ewear on covers due to shipping from Denmark. Contact us for more information\/images if desired.\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJeannette Ehlers\u003c\/strong\u003e creates cinematic universes that delve into ethnicity and identity inspired by her own Danish\/Caribbean heritage. Selected exhibition venues include Museo Del Barrio, NY; Parisian Laundry, Mtl; Total Museum of Contemporary Art, Seoul; and Dak’Art, Dakar.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist(s)\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eJeannette Ehlers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher(s)\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eForlaget Nemo\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003ePublication date\u003cbr\u003e\u003c\/span\u003e2016\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eBinding\u003cbr\u003e\u003c\/span\u003eSoftcover with inserts\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eSize\u003cbr\u003e\u003c\/span\u003e11 x 8.25 inches\u003cbr\u003e152 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e9788792880093\u003c\/p\u003e","brand":"Jeannette Ehlers \/ Forlaget Nemo","offers":[{"title":"Default Title","offer_id":12439696801869,"sku":"","price":60.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-134.jpg?v=1729271644"},{"product_id":"flow-2008","title":"Flow","description":"\u003cp\u003ePublished in conjunction with the exhibition\u003cstrong\u003e \u003cem\u003eFlow\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e(2008), an exhibition organized by \u003cstrong\u003eChristine Y. Kim\u003c\/strong\u003e and the third in a series of emerging artist exhibitions presented by \u003cstrong\u003ethe Studio Museum\u003c\/strong\u003e in Harlem. Like its predecessors, Flow illustrates the individuality and complexity of twenty-first-century contemporary art, this time from creators around the world. While the majority of these artists have exhibited abroad, many are new to U.S. audiences. As an extension of the Museum’s mission to serve as a nexus for artists of African descent locally, nationally and internationally,\u003cstrong\u003e \u003c\/strong\u003e\u003cem\u003eFlow\u003c\/em\u003e reflects this critical moment in the interconnected histories of African, African-American and transnational\u003cbr\u003eBlack life. \u003c\/span\u003e\u003cspan\u003eA survey of new work by twenty emerging artists, these artists were either born in Africa or born to African parents, and currently live and work across Africa, Europe and North America. Coming of age after the mid-century movements for national liberation in Africa, this generation has witnessed shifts in political, economic and social realities. Within this recent history, Africa is often illustrated in mass media and popular culture through images of warfare, disease and poverty, as well as through celebrity fascination and philanthropic efforts. These representations often fail to articulate the complexities that produce this visual information. The artists presented here express their world through creative visions that have been informed by these changes. Rather than understanding Africa as simply defined by a single position, they offer a multitude of perspectives—sometimes dissonant, at other moments in sync. The work they produce imagines an understanding of Africa that extends beyond geographic borders as it remains engaged with the present realities of African peoples. In this way, the artists remain particularly conscious of the continued foreign involvement on the African continent, as well as the persisting systems of racial classification established under colonialism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurator\u003c\/span\u003e\u003cbr\u003eChristine Y. Kim\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditor\u003c\/span\u003e\u003cbr\u003eSamir S. Patel\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eStudio Museum in Harlem\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2008\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e12.5 x 9.5 inches\u003cbr\u003e127 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e9780942949346\u003cbr\u003e\u003c\/p\u003e","brand":"Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":12968419459149,"sku":"","price":45.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/STUDIOMUSEUM_020123_163551_2048x_jpg.webp?v=1729274431"},{"product_id":"frequency-2005","title":"Frequency","description":"\u003cp\u003e\u003cspan\u003ePublished in conjunction with the 2005 exhibition, \u003cem\u003e\u003cstrong\u003eFrequency \u003c\/strong\u003e\u003c\/em\u003ereflects a current creative moment among 35 emerging artists. Living and working in the United States and ranging in age from 25 to 46, the artists’ influences vary from folktales to hip-hop, from non-western aesthetics to abstract painting, from tattoo design to Black athletes, among others. With more than 85 new works in diverse media, including painting, drawing, sculpture, photography, video, digital animation and mixed media, Frequency exemplifies the non-thematic, non-linear climate of contemporary art today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCo-curated by \u003cstrong\u003eThelma Golden\u003c\/strong\u003e and former Associate Curator\u003cstrong\u003e Christine Y. Kim\u003c\/strong\u003e, there are no prevailing themes in this exhibition, except perhaps an overwhelming sense of individuality. As its title suggests, \u003c\/span\u003e\u003cem\u003eFrequency\u003c\/em\u003e\u003cspan\u003e pinpoints divergent sounds, situations and phenomena. The uses of imagery and materials in this exhibition are wide-ranging and experimental: rhinestones, sand, matches, cowrie shells, handmade set designs, appropriated sports footage, family snapshots, found objects from the 1950s, 60s and 70s, and black contemporary and historical icons such as Harriet Tubman, Paul Robeson, Nigerian Cardinal Francis Arinze, John Coltrane and Terrell Owens. In each work, aspects of American culture are re-imagined and refined for new purposes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurators\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eThelma Golden\u003cbr\u003eChristine Y. Kim\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003cbr\u003e\u003c\/span\u003e2005\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e12.5 x 9.5 inches\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e0942949307\u003c\/p\u003e","brand":"Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":12968428273741,"sku":"","price":45.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/STUDIOMUSEUM_020123_163552_2048x_jpg.webp?v=1729271567"},{"product_id":"fore-2012-studio-museum-in-harlem","title":"Fore","description":"\u003cp\u003e\u003cspan\u003ePublished in conjunction with \u003cstrong\u003e\u003cem\u003eFore\u003c\/em\u003e,\u003c\/strong\u003e the Studio Museum presents the \u003cem\u003eFore \u003c\/em\u003ecatalogue which includes full-color reproductions, essays by Assistant Curators Lauren Haynes, Naima J. Keith and Thomas J. Lax and a commissioned essay by an emerging critic, curator or art historian for each artist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eFore\u003c\/strong\u003e \u003c\/em\u003eis the fourth in a series of emerging artist exhibitions presented by the Studio Museum, following \u003cem\u003eFreestyle \u003c\/em\u003e(2001), \u003cem\u003eFrequency \u003c\/em\u003e(2005–06) and \u003cem\u003eFlow \u003c\/em\u003e(2008). This exhibition traces the development of artistic ideas since \u003cem\u003eFlow\u003c\/em\u003e, taking into account social, political and cultural conditions in the United States. Whether gathering and assembling everyday objects, referencing urban architecture and economies, or using film and video to mirror the transmission and reception of information through social media, the artists in \u003cem\u003eFore \u003c\/em\u003eemphasize that contemporary art is deeply tied to its location, time and historical context. This exhibition investigates questions at the core of the Studio Museum’s mission, exploring art’s relationship to U.S. and global communities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurators\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eNaima J Keith\u003cbr\u003eLauren Haynes\u003cbr\u003eThomas J. Lax\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eStudio Museum in Harlem\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003cbr\u003e\u003c\/span\u003e2012\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e12.5 x 9.5 inches\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e0942949161\u003c\/p\u003e","brand":"Studio Museum in Harlem","offers":[{"title":"Default Title","offer_id":12968442921037,"sku":"","price":45.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/STUDIOMUSEUM_020123_163550_2048x_jpg.webp?v=1729270396"},{"product_id":"we-look-at-animals-because-catalogue","title":"We Look at Animals Because","description":"\u003cp\u003eThis publication is produced in conjunction with the exhibition \u003ca href=\"https:\/\/criticaldistance.ca\/program\/we-look-at-animals-because\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eWe Look At Animals Because\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e, curated by \u003cstrong\u003eToleen Touq\u003c\/strong\u003e and \u003cstrong\u003eNahed Mansour, \u003c\/strong\u003eco-presented by CDCC and \u003cstrong\u003e\u003cspan class=\"s1\"\u003eSAVAC \u003c\/span\u003e\u003c\/strong\u003e(South Asian Visual Arts Centre) in Toronto in \u003cspan class=\"s1\"\u003e2018. Featuring work by: \u003c\/span\u003e\u003cstrong\u003eQuratulain Butt, Khaled Hourani, Maha Maamoun, Smriti Mehra, Huma Mulji, Ed Panar, Alex Sheriff, \u003c\/strong\u003eand \u003cstrong\u003eAndrea Luka Zimmerman\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eConceived as a response to John Berger’s \u003cspan class=\"s1\"\u003e1977 \u003c\/span\u003eessay “Why Look At Animals,” the exhibition features artists that take animals as their subjects, and artworks that investigate the complex relationships between human and animal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs an interpretative exercise for this publication, Touq and Mansour have looked at the animals depicted by the exhibiting artists and reimagined their artworks through observations and descriptions in relation to selected passages from Berger’s essay. Following his unmatched ability to encourage his readers to look, and look again, this book is an invitation to our readers—young and old—to similarly question the dynamics between imagination and power through playful eyes. Information on the artists and the exhibition is provided in the second section of this publication, followed by a reprint of the full essay by Berger as originally published in his \u003cspan class=\"s1\"\u003e1980 \u003c\/span\u003ecollection of critical writings, \u003ci\u003eAbout Looking\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eQuratulain Butt\u003cbr\u003eKhaled Hourani\u003cbr\u003eMaha Maamoun\u003cbr\u003eSmriti Mehra\u003cbr\u003eHuma Mulji\u003cbr\u003eEd Panar\u003cbr\u003eAlex Sheriff\u003cbr\u003eAndrea Luka Zimmerman\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurators\u003c\/span\u003e\u003cbr\u003eToleen Touq\u003cbr\u003eNahed Mansour\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, perfect-bound, with thermography, digitally printed interior\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6 x 9 inches\u003cbr\u003e94 pages\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2018\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-9959982-6-1\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":12970879221837,"sku":"S-ANIM-CDCC-CODE-2018","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/WLAW.jpg?v=1729353821"},{"product_id":"the-progeny-varied-edition","title":"The Progeny (Varied Edition)","description":"\u003cp\u003eThis artist edition was produced in conjunction with Nicholas Fleming's solo show\u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/moving-right-along-nicolas-fleming\/\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003e Moving Right Along\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e in 2015.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eThe Progeny (varied edition)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eNicholas Fleming\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eAcrylic paint, acrylic medium, isolating polyurethane, acrylic latex caulk on various substrates \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003eDimensions variable\u003cbr\u003eVaried edition of 22 unique artworks, signed and numbered by the artist. Each edition comes with an artist information card\u003c\/p\u003e","brand":"Nicholas Fleming \/ Critical Distance","offers":[{"title":"The progeny #1 - orange square wood base","offer_id":42886291783850,"sku":"","price":40.0,"currency_code":"CAD","in_stock":false},{"title":"The progeny #2 - pink square wood base","offer_id":42886279823530,"sku":"3","price":40.0,"currency_code":"CAD","in_stock":true},{"title":"The progeny #3 - pink rectangle acrylic base","offer_id":42886290899114,"sku":"","price":40.0,"currency_code":"CAD","in_stock":true},{"title":"The progeny #4 - orange rectangle wood base","offer_id":42886290931882,"sku":"","price":40.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/Item-cdcc-07.jpg?v=1729356769"},{"product_id":"cathryn-miller-limited-edition-print","title":"A Portrait of the Artist as a Shadow of Her Former Self (Limited Edition Print)","description":"\u003cp\u003eA print in association with \u003cstrong\u003eCathryn Miller\u003c\/strong\u003e's solo exhibition\u003cstrong\u003e \u003ca href=\"https:\/\/criticaldistance.ca\/program\/elemental-book-works-by-cathryn-miller\/\"\u003eElemental\u003c\/a\u003e\u003c\/strong\u003e, on view at CDCC in 2014.\u003cbr\u003eAn artist info card is included with each print, along with a signature card suitable for mounting on the back of a frame.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003cbr\u003e\u003c\/span\u003eA Portrait of the Artist as a Shadow of Her Former Self, 2014\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eCathryn Miller\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eMedium\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eArchival digital print on Epson Premium Lustre paper \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e9 x 6 inches\u003cbr\u003eEdition of 10, signed and numbered by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003c\/i\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003eA former theatrical designer and fibre artist, \u003cstrong\u003eCathryn Miller \u003c\/strong\u003ehas focused on book arts and paper making for the past twenty years. Throughout her career she has won numerous awards and is the only Saskatchewan craftsperson to have received the Premier’s Prize at \u003cem\u003eDimensions\u003c\/em\u003e (the annual juried exhibition of the Saskatchewan Craft Council), in two different media.\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":28753178820685,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-CDCC-prints-02.jpg?v=1728181408"},{"product_id":"tamara-gayer-limited-edition-print","title":"Flights \u0026 Landings (Limited Edition Print)","description":"\u003cp\u003eA print in association with the Spring 2015 exhibition, \u003cstrong\u003e\u003cem\u003e\u003ca href=\"https:\/\/criticaldistance.ca\/program\/flights-landings-tamara-gayer-christine-gedeon-janine-miedzik\/\"\u003eFlights \u0026amp; Landings.\u003c\/a\u003e\u003c\/em\u003e \u003c\/strong\u003eAn artist info card is included with each print, along with a signature card suitable for mounting on the back of a frame.\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eFlights \u0026amp; Landings, 2015\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eTamara Gayer\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eArchival digital print on Epson Premium Lustre paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e9 x 6 inches\u003cbr\u003eEdition of 20, signed and numbered by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTamara Gayer\u003c\/strong\u003e is an artist transfixed by the city. Suspended between the impulses of an image maker and  those of a builder she creates work that mutates from drawing to installation to video. Born in NYC, Tamara Gayer grew up in Jerusalem and Tel-Aviv. She holds a BA from Sarah Lawrence College and an MFA from Hunter College. Her work has been shown at Foxy Production, Exit Art, and Smack Mellon in NY, as well as internationally, and she is represented in the collections of several prominent institutions including the Museum of Modern Art.\u003c\/p\u003e","brand":"Tamara Gayer \/ Critical Distance","offers":[{"title":"Default Title","offer_id":46344716091562,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-14.jpg?v=1766021832"},{"product_id":"lilibeth-cuenca-rasmussen-limited-edition-print","title":"Hair Ball #3 (Limited Edition Print)","description":"\u003cp\u003eThis limited edition print is part of a series produced by Critical Distance featuring original artwork by exhibiting artists. Lilibeth Cuenca Rasmussen exhibited with CDCC in the group exhibition \u003ca href=\"https:\/\/criticaldistance.ca\/program\/crossing-the-line\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eCrossing the Line\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e in 2016.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003c\/span\u003e\u003cbr\u003eHair Ball #3, 2016\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eLilibeth Cuenca Rasmussen\u003cbr\u003ePhotography by Anders Sune Berg\u003cbr\u003eCostume Design by Lise Kitten\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eArchival digital print on Epson Premium Lustre paper\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6 x 9 inches\u003cbr\u003eEdition of 10, signed and numbered by the artist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003eWorking primarily through performance, \u003cstrong\u003eLilibeth Cuenca Rasmussen\u003c\/strong\u003e (b. 1970, Manilla) utilizes her medium to explore issues such as historical heritage, identity, gender and socio-cultural roles. Cuenca has shown extensively, including The Danish Pavilion in the 54th Venice Biennale (IT), Tate Modern (UK), Performa 09 (USA), and Brooklyn Museum (USA).\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":30912389349453,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-06.jpg?v=1729374938"},{"product_id":"maggie-groat-and-jimmy-limit-limited-edition-print","title":"am 👁 living n a HOLO U? (Limited Edition Print)","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis limited edition print was produced in conjunction with\u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/criticaldistance.ca\/program\/signals-and-sentiments\/\" target=\"_blank\" rel=\"noopener\"\u003e Signals \u0026amp; Sentiments\u003c\/a\u003e\u003c\/strong\u003e\u003c\/em\u003e, curated by Katelyn Gallucci and\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003efeaturing Sebastián Benítez, Petar Boskovic, Shelby Fenlon, Maxwell Hyett, Mickey Mackenna, \u003cstrong\u003eMaggie Groat \u0026amp; Jimmy Limit\u003c\/strong\u003e, Karen Henderson, and Josée Pedneault.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSignals \u0026amp; Sentiments \u003c\/em\u003ewas a Featured Exhibition of the 2017 Scotiabank CONTACT Photography Festival, and a two-part exhibition that examines how gesture functions as a mechanism for the production of identity.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003cbr\u003e\u003c\/span\u003eam 👁 living n a HOLO U?, 2017\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eMaggie Groat\u003cbr\u003eJimmy Limit\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eMedium\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eDigital print on translucent self-adhesive vinyl\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e9 x 6 inches\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003eEdition of 12, \u003cspan\u003es\u003c\/span\u003eigned and numbered by the artists\u003c\/p\u003e","brand":"Maggie Groat and Jimmy Limit \/ Critical Distance","offers":[{"title":"Default Title","offer_id":46355239338154,"sku":null,"price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-15.jpg?v=1728184117"},{"product_id":"critical-af-t-shirt","title":"CRITICAL AF Benefit T-Shirt","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eBlack t-shirt with screenprinted silver text on the front. Soft 100% preshrunk cotton.\u003c\/p\u003e\n\u003cp\u003eThe \u003cb\u003eCRITICAL AF\u003c\/b\u003e Benefit T-shirt is produced to raise funds for Critical Distance. All proceeds go toward our operations and programming to support and advance curatorial practice and inquiry in Toronto, Canada, and beyond.\u003c\/p\u003e\n\u003cp\u003eLimited styles and sizes — select from dropdown to check availability\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNote: Fitted (aka 'Missy') style is narrower at the waist, with smaller sleeves. Sizes run a bit small; if in doubt, order one size up.\u003c\/p\u003e\n\u003cp\u003eDesign: Shani K Parsons\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Fitted S","offer_id":30975764463693,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true},{"title":"Fitted M","offer_id":30975764496461,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true},{"title":"Fitted L","offer_id":30975764529229,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true},{"title":"Standard S","offer_id":30975764561997,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/IMG_2158.jpg?v=1646670321"},{"product_id":"sculpting-cinema","title":"Sculpting Cinema","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSculpting Cinema\u003c\/em\u003e \u003c\/strong\u003edocuments the intersections of sculpture, architecture, performance, installation art, and expanded cinema within contemporary Canadian art. Through seven pieces of writing and two artists’ projects, a selection of scholars and creatives from across the country have explored the ways that cinema flows off the screen and into physical space. The book embodies this thematic content through a creative design, making it an attractive collectors’ object and critical discourse simultaneously.\u003c\/p\u003e\n\u003cp\u003eThe written texts conceptualized artworks by Christina Battle (London, ON), Shary Boyle (Toronto), Thomas Evans \u0026amp; Jonathan Mandeville (Halifax), David Hoffos (Lethbridge), Donald Lawrence (Kamloops), Alexandre Larose (Montreal), Kristie MacDonald (Toronto), Andrew John Milne (Winnipeg), Solomon Nagler, and Charles Stankievech (Toronto), while the artistic projects embodied Pierre Hebért and Solomon Nagler’s cinematic practices within the book format.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditors\u003c\/span\u003e\u003cbr\u003eMelanie Wilmink (Phd candidate, York University)\u003cbr\u003eSolomon Nagler (artist and Associate Professor, \u003cspan class=\"caps\"\u003eNSCAD \u003c\/span\u003eUniversity)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eContributors\u003c\/span\u003e\u003cbr\u003eZoë Heyn-Jones\u003cbr\u003eTom Kohut\u003cbr\u003eShana MacDonald\u003cbr\u003eHarry Vandervlist\u003cbr\u003eCarmen Victor\u003cbr\u003eColin Zipp\u003cbr\u003ePierre Hebért\u003cbr\u003eAngela Henderson\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDesigner\u003c\/span\u003e\u003cbr\u003eJayme Spinks\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003ePleasure Dome\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e8 x 5 inches\u003cbr\u003e180 pages\u003cbr\u003eEdition of 500\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, each copy includes a unique, hand-inserted, photo-emulsion prints by Solomon Nagler and Angela Henderson.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e9780968211571\u003c\/p\u003e","brand":"Solomon Nagler et al \/ Pleasure Dome","offers":[{"title":"Default Title","offer_id":30975899959373,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/16518.jpg?v=1729886232"},{"product_id":"from-you-to-me-and-back-again","title":"From You to Me and Back Again","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eFrom You to Me and Back Again\u003c\/strong\u003e\u003c\/em\u003e includes images of floors, walls, and corners where they meet, as a means of discussing the medium of photography itself. The book is representative of a durational conversation about the abstractions, politics and subjectivities of photography between four artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eNote: Exposure to light has caused the spine to change colour; publication is otherwise new and in good condition, tight binding. Publication is out of print and sold as-is. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist(s)\u003c\/span\u003e\u003cbr\u003eLeslie Hewitt\u003cbr\u003eMatt Keega\u003cbr\u003eLori Salmon\u003cbr\u003eMichael Queenland\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eWallspace\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2006\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eStaple-bound booklet\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e8 x 6 inches\u003cbr\u003e24 pages\u003c\/p\u003e","brand":"Leslie Hewitt et al \/ Wallspace","offers":[{"title":"Default Title","offer_id":41627618279594,"sku":"","price":8.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/IMG_12322.jpg?v=1729968723"},{"product_id":"lindecidable-the-undecidable-gaps-and-displacements-of-contemporary-art","title":"L'Indécidable \/ The Undecidable Gaps and Displacements of Contemporary Art","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eBy choosing “the undecidable” as the starting point for a reflection on contemporary art, this publication intends a new and critical perspective on art, the object, and its relationship to the world and contemporary reality. Here, the notion of undecidability describes a multiplicity of borderline zones obliterating the limits between art and non-art, artist and object, fiction and reality, aesthetic and political positions. In the postmodern cultural context, it seems clear to us that what we define as undecidable cannot be reduced to a single identity, territory, or fixed and unitary history. Relationships and shifts are foregrounded between objects, truths and certainties within a current artistic production that resists easy interpretation or predictability. Contemporary art’s concomitance with the every day and with life appears to be particularly destabilizing, such that current productions seem to suspend any definitive assessment that might attempt to circumscribe what is actually being proposed before us.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthors\u003c\/span\u003e\u003cbr\u003eMarie Fraser\u003cbr\u003eJean-Philippe Uzel\u003cbr\u003ePatrice Loubier\u003cbr\u003eJocelyne Lupien\u003cbr\u003eJoanne Lalonde\u003cbr\u003eThérèse St-Gelais\u003cbr\u003eVincent Lavoie\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditor\u003cbr\u003e\u003c\/span\u003eThérèse St-Gelais\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eLes éditions esse\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003cbr\u003e\u003c\/span\u003e2008\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003cbr\u003e\u003c\/span\u003eSoftcover\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e6.25 x 8.75 inches\u003cbr\u003e296 pages\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguages\u003cbr\u003e\u003c\/span\u003eFrench\u003cbr\u003eEnglish\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e978-1-9809052-1-6\u003cbr\u003e\u003c\/p\u003e","brand":"Les éditions esse","offers":[{"title":"Default Title","offer_id":41628778922154,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-193.jpg?v=1729276609"},{"product_id":"alien-recognition-mimi","title":"Alien\/Recognition (Mimi) Limited Edition Print","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis limited edition print is part of a series produced by Critical Distance featuring original artwork by exhibiting artists. Signed artist print produced in conjunction with the exhibition\u003ca href=\"https:\/\/criticaldistance.ca\/program\/of-other-faces\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003e Of Other Faces\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e, 2014.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eAlien\/Recognition (Mimi)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eArtist\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eMarta Ryczko\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eMedium\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eSet of 2 archival digital prints on Epson Premium Lustre paper\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e6 x 9 inches each\u003cbr\u003eEdition of 15, signed and numbered by the artist\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"layoutArea\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"column\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"column\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eMarta Ryczko\u003c\/strong\u003e\u003cspan\u003e is a multi-disciplinary artist and designer living and working in Toronto. Ryczko graduated from OCAD University in 2012 where she studied Design and Illustration, and has exhibited work in shows at 1313 Gallery (2013), Cooper Cole Gallery (2012), and Hotshot Gallery (2010) in Toronto, and Spins and Needles in Ottawa (2014), among others\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":41636758585514,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-12.jpg?v=1731179107"},{"product_id":"herbes-deau","title":"Herbes d'eau (Limited Edition Print)","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProduced in conjunction with the 2016 exhibition, \u003ca href=\"https:\/\/criticaldistance.ca\/program\/the-amoebic-workshop\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eThe Amoebic Workshop: A Submerged Exhibition\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e, curated by\u003cstrong\u003e Astarte Rowe\u003c\/strong\u003e. This limited edition print is part of a series produced by Critical Distance featuring original artwork by exhibiting artists. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTitle\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003eHerbes d'eau, 2016\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003eGabriel Lalonde\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMedium\u003c\/span\u003e\u003cbr\u003eArchival digital print on Epson Premium Lustre paper\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e9 x 6 inches\u003cbr\u003eEdition of 10\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGabriel Lalonde \u003c\/strong\u003e(b. 1945) is a prolific poet and self-taught visual artist who lives and works in Coteau-du-Lac, Quebec. His canvases, composed of found materials such as wood debris and clapboard, chairs, empty cans, Barbies, metal, and roof shingles, serve as explorations into the syntax of lost time, eroded existence, faded amorousness, and the general effects of wear and tear. Paintings often attest to the dematerialization of 'text' as the signifier of civilized society, and are reminiscent of Symbolist graffiti, or the scribbled calligraphy of Cy Twombly.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLalonde recuperates and recycles the overspill of speech, religious discourse, and words, processing the detritus of what Ferdinand de Saussure distinguished as la parole (speech) into abstract imagery pertaining to the structure of la langue (language). In this sense, Lalonde's art is a factory for the disassembly of verse into semiotic 'units,' 'traces, 'marks, and 'lines' which became archeological remainders of the poetic.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLalonde's works have been exhibited widely in gallery exhibitions and fairs in Canada, the US, France, the UK, Germany, Belgium, the Netherlands, and the UAE.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"In my work, I transcribe the written and painted word through a 'plastic modality.' I create traces of our speech, silences, and presences. My work speaks of the multiplicity of time through gesture, words, signs, and codes. I write words as well as images. I write time in its instantaneity as that which passes, and as that which comes to pass. I enunciate the memory of time, artworks as erosion and wear. Artwork as a moment of being, and the passing of time. My work speaks of time and non-time, and of the plaintive gesture of existence. Internal time.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Gabriel Lalonde \/ Critical Distance","offers":[{"title":"Default Title","offer_id":46344736800938,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-07.jpg?v=1729276235"},{"product_id":"real-camo","title":"Real Camo (Limited Edition Print)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis limited edition print from \u003cstrong\u003eTsēmā Igharas\u003c\/strong\u003e depicts the same photograph as the billboard presented as part of the group exhibition \u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/groundwork\/\" target=\"_blank\"\u003e\u003cem\u003e\u003cstrong\u003eGroundwork\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e, curated by \u003cstrong\u003eValérie Frappier\u003c\/strong\u003e, a featured exhibition of the 2021 Scotiabank CONTACT Photography Festival.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTitle\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eReal Camo, 2021\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eArtist\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eTsēmā Igharas\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eMedium\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eArchival digital print on Epson Premium Matte paper\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e9 x 6 inches\u003cbr\u003eEdition of 100\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis limited edition print is part of a series produced by Critical Distance featuring original artwork by exhibiting artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelected\/Curated by Valerie Frappier\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist \u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTsēmā Igharas\u003c\/strong\u003e is an interdisciplinary artist and member of the Tahltan Nation. She uses Potlatch methodology to create conceptual artwork and teachings influenced by her time in the mountains. \u003cmeta charset=\"utf-8\"\u003eTsēmā's artistic work grapples with the body, her body, as it has witnessed material and metaphysical landscapes changing and continually impacted, shaken and consumed by corporate resource extraction. Her praxis is sparked by strategies of Indigenous resistance to neo-colonization, embodied knowledge and everyday acts of decolonization as ways to understand the imaginary Canadian \"true North\" and industrial reverberations felt by those who live downstream. \u003cmeta charset=\"utf-8\"\u003eTsēmā holds a Bachelor's degree from Emily Carr University of Art and Design (2011) and graduated from the Interdisciplinary Master's in Art, Media and Design program at OCAD University (2016), showing her thesis work LAND|MINE that connects materials to mine sites and bodies to the land. \u003cmeta charset=\"utf-8\"\u003eTsēmā has won the 2018 Emily Award for outstanding ECUAD alumni; is 1\/25 2020 Sobey award winners; and has shown and performed in various places in Canada and internationally in Sweden, Mexico, USA and Chile.\u003c\/p\u003e","brand":"Tsēmā Igharas \/ Critical Distance","offers":[{"title":"Default Title","offer_id":41638277152938,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/edition-prints-CDCC-10.jpg?v=1766021832"},{"product_id":"the-mastication-of-alina-szapocznikow-ecstatic-essays-no-04","title":"The Mastication of Alina Szapocznikow (Ecstatic Essays No. 04)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Fingers reach between her lips, search for and pinch on the wet, slippery thing. Between thumb and index finger, she pulls it out and looks at it: indentations and protrusions, imperfect casts of her molars, the texture of her tongue and the roof of her mouth caught in a fluid animation, smeared with saliva, blurred with softness. A thing of coincidence, a near-perfect sculpture.\"\u003c\/p\u003e\n\u003cp\u003eEcstatic Essays is a series of pamphlets presenting nuanced opinions on popular icons in arts \u0026amp; culture.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAbout the Artist: \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJenine Marsh\u003c\/strong\u003e (b. 1984) is an artist based in Toronto. She has exhibited her work widely, notably at Gianni Manhattan, Vienna; Entrée, Bergen; Cooper Cole, Toronto; Lulu, Mexico City; Vie d’ange, Montreal; Night Gallery, Los Angeles; Hannah Hoffman Gallery, Los Angeles; and 8-11, Toronto. She has participated in residencies at USF Verftet AiR Bergen (NO), Rupert (Vilnius) and the Banff Centre (CA).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the Publisher:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eBlank Cheque\u003c\/strong\u003e is a small press based in Vancouver that is dedicated to the publication of art writing in its many forms. This includes but is not limited to plotless fiction, eccentric art criticism, messy philosophical treatises, urgent poetics, esoteric writing by artists, and book projects that otherwise run parallel to artists' practices.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eConceived while daydreaming in an overpriced shoe store, the series is edited by Jacquelyn Zong-Li Ross and produced in living rooms, studios, and print shops, with the help of friends.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePrinted by Colour Code.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eArtist(s)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eJenine Marsh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlank Cheque Press\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eSaddle-stitched risograph pamphlet\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e28 pages, \u003c\/span\u003e5\" x 7\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eLanguage(s)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eEnglish\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003ePublication date\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cb id=\"docs-internal-guid-9341018e-7fff-322e-7e4f-f620d3648a4c\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e978-0-9952644-6-8\u003c\/span\u003e\u003c\/p\u003e","brand":"Jenine Marsh \/ Blank Cheque","offers":[{"title":"Default Title","offer_id":41638386073770,"sku":"","price":8.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-84.jpg?v=1644180771"},{"product_id":"a-big-heritage-with-a-glorious-past-exhibition-catalogue","title":"A Big Heritage With a Glorious Past","description":"\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/a-big-heritage-with-a-glorious-past\/\" target=\"_blank\"\u003e\u003cstrong\u003e\u003ci\u003eA Big Heritage with A Glorious\u003c\/i\u003e\u003c\/strong\u003e\u003ci\u003e \u003cstrong\u003ePast \u003c\/strong\u003e\u003c\/i\u003e\u003c\/a\u003e\u003cspan\u003e catalogue presents the work of \u003cstrong\u003eEleana Antonaki\u003c\/strong\u003e and \u003cstrong\u003eMarina Xenofontos\u003c\/strong\u003e in an inconclusive dialogue around the migratory experience. In their practices, \u003c\/span\u003e\u003cspan\u003eboth artists explore transnational feminist perspectives, honing in on the adversities of migration and strategies of settling and creating homes while in exile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAntonaki’s film \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eHaunting Is An Act of Love\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e (2019) takes place in the distant future where women’s bodies have evolved so drastically to adapt to migration that they have become water. The video functions as a portrait of a woman, a block of water, who tells her story. Her name is numeric: 1,329,784. She explains that the process of evolving was the result of having to cross the Mediterranean habitually over hundreds of years. She speaks through subtitles about her name, how she is programmed to survive, and the bureaucratic power structures that continue to restrict her experience. She continues by speaking of a subversion: that the women in her family have the ability to haunt the places they once inhabited. Drawing connections between archaeology and displacement, which are both considered in their politically motivated sense, Antonaki’s character explains that the women of her time like to return to the sites they were excavated from. This is both their matriarchal heritage and an act of “cheating historical time.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn Xenofontos’ work, she examines everyday stories that are inflected with insight into the power structures of civic spaces. For her documentary-style film\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e Sunlight Vandalism \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(2019), Xenofontos presents two narratives woven together to reveal a diverse portrait of Cyprus and the intricacies of Mediterranean migration. This includes a conversation with a Kurdish mother named Ayşe, who requested asylum in Cyprus in 2007. Speaking in Turkish with her friend—who responds in a Greek Cypriot dialect—Ayşe is depicted swiping through images of her new home in Ankara, Turkey, where she has since relocated. The second portion of the film follows Ayşe in her space of work, where she is\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ea cleaner in a local school, and in her living room, where Xenofontos interviews her in front of her wall of images of Abdullah Öcalan—a once prominent yet controversial leftist political figure. This exhibition also includes found images from the artist’s archive depicting\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003ethe “lemon-dance.” This peculiar annual event was created by Greek-Cypriot immigrants living in New York City, where couples dance while balancing a lemon between their foreheads until it drops. Through these vistas, Xenofontos reflects on the labour of domesticity and the precarity of settling during politically motivated migration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThrough their work, both Xenofontos and Antonaki explore how notions of home exist in relation to the migratory subject. They ask: How can the body stabilize in the face of exile? How can women’s labour question the precariousness of borders? And, what are new forms through which we can understand dispossession? In bringing their work together, this exhibition reflects on strategies of adaptation, resourcefulness, and survival that occur as a result of, but not in direct dialogue with, political governance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited by curators \u003cstrong\u003eMagdalyn Asimakis\u003c\/strong\u003e and \u003cstrong\u003eHeather Rigg\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned by Nour Bishouty, featuring a risograph dust cover.  \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eEleana Antonaki\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eMarina Xenofontos\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eCurators\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003ema ma\u003cbr\u003e(Magdalyn Asimakis and Heather Rigg)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan data-sheets-root=\"1\"\u003eDesign\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003eNour Bishouty\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003cbr\u003e\u003c\/span\u003e2020\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eBinding\u003cbr\u003e\u003c\/span\u003eSoftcover, perfect-bound, with risograph dust cover\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eSize\u003cbr\u003e\u003c\/span\u003e6 x 9 inches\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003cbr\u003e\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":41669029003434,"sku":"","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/ABHWAGP.jpg?v=1728181249"},{"product_id":"break-down-workbook-2-sonic-meditations-investigating-petro-subjectivity","title":"Break Down Workbook #2 — Sonic Meditations: Investigating Petro Subjectivity","description":"\u003cp class=\"product-description-container rte\" data-mce-fragment=\"1\" itemprop=\"description\"\u003eWHAT DOES IT MEAN TO PRACTICE A POST-OIL SENSE OF SELF AND CULTURE?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis publication provides techniques to investigate your petro-subjectivity. Realizing the degree to which your life—your decisions, sense of self, cultural beliefs, the ways your neural pathways work—relies on petroleum is the only way to understand how it is possible to make fundamental shifts away from petroculture. It is impossible to think and dream the future, and ways to deal with climate breakdown, without first confronting, and mitigating this primary way in which you perceive the world and embody responses to it. You will not be able to get rid of petro-subjectivity in your lifetime—it so thoroughly permeates every aspect of who you are—but you can help lay the ground work for future generations to achieve this.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn these pages, you find a selection of exercises for the exploration of the ways that fossil fuel shapes your embodied mind, your experiences of the world, the petroleum stored in your body, and your sense of self. Do the exercises by yourself or with others in small groups.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExercises are drawn from several sources including: the practice of Deep Listening* developed over 40 years by the composer and musician Pauline Oliveros and many others she inspired; the Deep Mapping approach to understanding self and place that Nuno Sacramento and I have articulated in a book together called Deep Mapping; and exercises I have developed combining multiple approaches to meditating and reflecting on petro-subjectivity.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003cbr\u003e\u003c\/span\u003eBrett Bloom\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003cbr\u003e\u003c\/span\u003eBreakdown Break Down Press\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003cbr\u003e\u003c\/span\u003e2019\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003cbr\u003e\u003c\/span\u003eSoftcover, staple-bound\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e5.5 x 4.0 x 0.1 inches\u003cbr\u003e40 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e","brand":"BKDN BKDN \/ Half Letter Press","offers":[{"title":"Default Title","offer_id":41669735973034,"sku":"","price":6.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/bkdn_wkbk_2_cover__60550.jpg?v=1734119274"},{"product_id":"library-excavation-7-vhs-r-i-p","title":"Library Excavations #7 VHS R.I.P","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eLibrary Excavations \u003c\/strong\u003e\u003c\/em\u003eis a project and publication series that highlights and activates physical materials found in public libraries. \u003cstrong\u003ePublic Collectors\u003c\/strong\u003e prefers direct experiences of physical media over the digital.\u003cem\u003e Library Excavations \u003c\/em\u003eencourages intensive browsing of paper and print resources, particularly those that are under-utilized, or at risk of being withdrawn and discarded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eLibrary Excavations #7 \u003c\/strong\u003e\u003c\/em\u003emourns and explores VHS tapes in the public library lending collection. In addition to text and photos from the collection and the discard piles, this booklet also contains reflections on the history of VHS at Chicago's Harold Washington Library Center by librarian Bob Sloane, and thoughts on the state of VHS relative to videos by artists from Abina Manning, the Director of Video Data Bank at the School of the Art Institute of Chicago. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the back cover:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"If you still own a videocassette player and wish to borrow a Video Home System tape from the library, I would jump on that opportunity at your earliest convenience. VHS tapes are quickly vanishing from public library lending collections. This is certainly true at Chicago’s Harold Washington Library Center, where they’ve been appearing in the Secondhand Prose discard nook for some time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecently I began photographing these tapes on their way out of the library. I’ve also started taking pictures of what remains, while it’s still circulating. An on-line review of all of the city’s branches shows a total of about 3,600 tapes in circulation or available for library use. Other tapes have yet to be cataloged. By comparison, there are over 24,000 cataloged DVDs in Chicago Public Library collections.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany obscure educational titles from the 1990s were among the discards. There have been VHS tapes focusing on consumer awareness of scams, art and music instructional tapes, anti-drug films, job training tapes, author profiles, legal primers, films about workplace problems, and other items that seem unlikely to migrate over to the dominant DVD or web-streaming formats. Unless some dedicated archivists are willing to rip these tapes to digital and upload them onto one of the web-based streaming sites, with or without permission, a lot of this material will likely vanish. Consider this booklet a paper memorial to VHS in the public lending domain.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Marc Fischer\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the Publisher\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePublic Collectors,\u003c\/strong\u003e founded by Marc Fischer in 2007\u003cstrong\u003e, \u003c\/strong\u003e is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eMarc Fischer\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003ePublic Collectors\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, staple-bound, offset three-colour risograph\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e5.5 x 8.5 inches\u003cbr\u003e38 pages\u003cbr\u003eEdition of 520\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Public Collectors \/ Half Letter Press","offers":[{"title":"Default Title","offer_id":41670153306282,"sku":"","price":6.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-45.jpg?v=1729876316"},{"product_id":"on-hell","title":"On Hell","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cstrong\u003eOn Hell\u003c\/strong\u003e\u003c\/em\u003e transcribes a body broken by American empire, that of ex-con Rafael Luis Estrada Requena, hacking itself away from contemporary society. \u003cstrong\u003eJohanna Hedva\u003c\/strong\u003e, author of \"Sick Woman Theory,\" takes the ferocious compulsion to escape (from capitalism, from the limits of the body-machine, from Earth) and channels it into an evisceration of oppression and authority. Equal parts tender and brutal, romantic and furious, \u003cem\u003eOn Hell\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003eis a novel about myths that trick and resist totalitarianism. \u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIncludes two bonus interviews.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eJohanna Hedva\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eSator Press\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2018\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6.5 x 4.5 inches\u003cbr\u003e107 pages\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-9832437-8-6\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Author\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJohanna Hedva\u003c\/strong\u003e is a Korean-American writer, artist, musician, and astrologer, who was raised in Los Angeles by a family of witches, and now lives in LA and Berlin. Hedva’s practice cooks magic, necromancy, and divination together with mystical states of fury and ecstasy. There is always the body — its radical permeability, dependency, and consociation — but the task is how to eclipse it, how to nebulize it, and how to cope when this inevitably fails. Ultimately, Hedva’s work, no matter the genre, is different kinds of writing, whether it’s words on a page, screaming in a room, or dragging a hand through water.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the Publisher\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSator Press\u003c\/strong\u003e—and Satyr Press, an imprint—was founded in 2009 by Ken Baumann. For a decade it operated as a nonprofit that slowly and sustainably produced innovative literature with handsome, impeccable design. As of September 2019, Two Dollar Radio is pleased to carry on this tradition through the distribution of Sator Press and Satyr Press titles.\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Johanna Hedva \/ Sator Press","offers":[{"title":"Default Title","offer_id":42199045800106,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-224.jpg?v=1729275501"},{"product_id":"the-architectural-digest","title":"The Architectural Digest","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003eThe Architectural Digest \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003eis part of our presentation of new and recent publications from \u003cstrong\u003eDominica\u003c\/strong\u003e, the artist-run imprint of Martine Syms. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Artist\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMarco Braunschweiler\u003c\/strong\u003e\u003cem data-mce-fragment=\"1\"\u003e \u003c\/em\u003eis a Swiss-American artist and publisher based in Los Angeles. From 2007-2011 he was a Director of Golden Age, an artist-book store and project space in Chicago, with Martine Syms. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the Publisher\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDominica Publishing\u003c\/strong\u003e is the artist-run imprint of Martine Syms. Based in Los Angeles, Dominica is dedicated to exploring blackness as a topic, reference, marker and audience in visual culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eMarco Braunschweiler\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eDominica\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2016\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e7.625 x 5 inches\u003cbr\u003e16 pages\u003cbr\u003eEdition of 500\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eStaple-bound booklet\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Marco Braunschweiler \/ Dominica","offers":[{"title":"Default Title","offer_id":42485629321386,"sku":"","price":10.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-102.jpg?v=1729361658"},{"product_id":"matters","title":"Matters","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMatters \u003c\/strong\u003e\u003c\/em\u003eis a LARGE format publication, essentially a poster, folded down to make a small pamphlet style publication.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eMatters \u003c\/strong\u003e\u003c\/em\u003eis an edited transcription of a film comedy annotated by artist \u003cstrong\u003eLauren Anderson.\u003c\/strong\u003e Anderson uses this found text to craft a theory of art that is inspired by modern comedy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eLauren Anderson\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eDominica\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2012\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eFolded, double-sided black and white photocopy\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e10 x 7 inches\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Publisher\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDominica\u003c\/strong\u003e Publishing is the artist-run imprint of Martine Syms. Based in Los Angeles, Dominica is dedicated to exploring blackness as a topic, reference, marker and audience in visual culture.\u003c\/p\u003e","brand":"Lauren Anderson \/ Dominica","offers":[{"title":"Default Title","offer_id":42782846615722,"sku":"","price":12.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-207_1.jpg?v=1729879336"},{"product_id":"data-data","title":"Data Data","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e\u003ci data-mce-fragment=\"1\"\u003eData\u003c\/i\u003e\u003ci data-mce-fragment=\"1\"\u003e \u003c\/i\u003e\u003ci data-mce-fragment=\"1\"\u003eData\u003c\/i\u003e\u003c\/strong\u003e is a supporting publication and artist multiple. The phrase: 'Write data, delete data, rewrite data' is repeated over and over until every word has appeared in every possible position. This is done using code, relying on the pioneering research done into the implementation of permutation algorithms on computing machinery done in the late 1950s and early 1960s. The design of the text blocks reflects the permutation, visually fragmenting the rhythmic poem.\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eArtist\u003cbr\u003e\u003c\/span\u003eLaura Margaret Ramsey\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003ePublishers\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan data-sheets-root=\"1\"\u003eArt Metropole\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan data-sheets-root=\"1\"\u003eCritical Distance Centre for Curators\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003ePublication date\u003cbr\u003e\u003c\/span\u003e2022\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eBinding\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eZine, saddle stitched, risograph, pastel green paper with black ink,\u003cbr data-mce-fragment=\"1\"\u003edie-cut cardstock cover\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e6.5 x 4.5 inches\u003cbr\u003e28 pages\u003cbr\u003eEdition of 100\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e9781989011098\u003c\/span\u003e\u003cbr style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the artist:\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eL\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eaura Margaret Ramsey\u003c\/strong\u003e (she\/her) is a Toronto-based scholar, imaging specialist and artist. Ramsey is known for her use of data visualisation \u0026amp; sonification to explore the natural world, imaging processes and computational awareness. Her work is heavily influenced by the structure of the archive, the preservation of obsolete technology, science fiction and the algorithmic approaches in data management. She holds an MA from Toronto Metropolitan University, and a BDes from Alberta University of the Arts. Her work has been exhibited recently with Bio-Creation Station hosted by MIT Media Lab (USA), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFragments of Sonic Extinction\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (Munich, Germany), and InterAccess with Vector Festival 2022 (Toronto, Canada).\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"LM Ramsey \/ Art Metropole","offers":[{"title":"Default Title","offer_id":43264955678890,"sku":"","price":10.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-243.jpg?v=1731791573"}],"url":"https:\/\/shop.criticaldistance.ca\/collections\/homepage.oembed?page=19","provider":"CDCC Shop","version":"1.0","type":"link"}