{"title":"New \u0026 Featured","description":"","products":[{"product_id":"grace-ambrose-maximumrocknroll","title":"Hardcore Architecture \/ Grace Ambrose, MAXIMUMROCKNROLL","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cbr\u003eHardcore Architecture \u003c\/strong\u003e\u003c\/em\u003eexplores the relationship between the architecture of living spaces and the history of underground American hardcore bands in the 1980s. This interview booklet is intended as a supplement to the website: hardcorearchitecture.tumblr.com. It is one of a series of printed publications addressing the themes of the project through writings, interviews, photos, and printed ephemera.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHardcore Architecture \u003c\/em\u003eis a project of \u003cstrong\u003eMarc Fischer\u003c\/strong\u003e and \u003cstrong\u003ePublic Collectors.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis booklet consists of a massive 9000+ word interview with \u003cstrong\u003eGrace Ambrose\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eContributors\u003c\/span\u003e\u003cbr\u003eGrace Ambrose\u003cbr\u003eMarc Fischer\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003ePublic Collectors\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2016\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e8.5 x 11 inches\u003cbr\u003e24 pages\u003cbr\u003eEdition of 500\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, staple bound, two colour risograph and digital colour insert\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Hardcore Architecture \/ Public Collectors","offers":[{"title":"Default Title","offer_id":3374128168990,"sku":"2017.35.1","price":7.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-172.jpg?v=1729373485"},{"product_id":"framing-the-artists-artists-art-in-film-television-half-letter-press","title":"Framing the Artists: Artists \u0026 Art in Film \u0026 Television","description":"\u003cp\u003e\u003cspan\u003eMany depictions of artists centre on usual behaviour, love affairs, or self-destruction through drugs and alcohol. Jokes about not being able to understand modern art are endless. Very few biographies of actual or fictive artists seriously attempt to consider the artist's creative process in a nuanced way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eFraming The Artists\u003c\/em\u003e \u003c\/strong\u003eis an overview of many examples of these characterizations. The reviews that follow are but a few examples of portrayals of artists and their work in film and television. We have watched hundreds of hours of video and concede that our research has only just begun.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eFrom the publisher's website: \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eBooklet #67. Fictional representations of art and biographical films about dead artists are common in mainstream media, despite the lack of concern with living visual artists and their projects. So what do these representations reveal to us about artists and their work?\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eAuthor\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eTemporary Services (Brett Bloom, Marc Fischer, Salem Collo-Julin)\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003ePublisher\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eHalf Letter Press\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003ePublication date\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e2005\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003eBinding\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eStaple-bound softcover\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e8.5 x 5.5 x 0.125 inches\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Temporary Services \/ Half Letter Press","offers":[{"title":"Default Title","offer_id":3403723046942,"sku":"2017.40.1","price":7.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/67-FramingWEBbig__51119.1403026971.jpg?v=1508611218"},{"product_id":"library-excavations-3-periodical-business-half-letter-press","title":"Library Excavations #3: Periodical Business","description":"\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDescription\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cbr\u003eLibrary Excavations\u003c\/strong\u003e\u003c\/em\u003e is a project and publication series that highlights and activates physical materials found in public libraries. \u003cstrong\u003ePublic Collectors\u003c\/strong\u003e prefers direct experiences of physical media over the digital. \u003cem\u003eLibrary Excavations \u003c\/em\u003eencourages intensive browsing of paper and print resources, particularly those that are under-utilized, or at risk of being withdrawn and discarded.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eLibrary Excavations #3\u003c\/strong\u003e\u003c\/em\u003e excerpt from back cover:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eThe Chicago Public Library's Harold Washington Library Centre is home to a vast collection of bound business periodicals. The many shelves are filled with titles that will be foreign to industry outsiders. Some date back to the late 1800s...These photos were taken in July and August 2016. I hope that they will entice others to explore these periodicals and interrogate the value systems, ideologies, and visual pleasures they contain.\" \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e- Marc Fischer\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Publisher\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublic Collectors\u003c\/strong\u003e was founded in 2007 by Marc Fischer, upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eMarc Fischer\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003ePublic Collectors\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2016\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, staple-bound, offset three-colour risograph\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e5.5 x 8.5 inches\u003cbr\u003e32 pages\u003cbr\u003eEdition of 516\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Half Letter Press","offers":[{"title":"Default Title","offer_id":4005791301662,"sku":"2017.43.1","price":8.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-63.jpg?v=1729875855"},{"product_id":"library-excavation-7-vhs-r-i-p","title":"Library Excavations #7 VHS R.I.P","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eLibrary Excavations \u003c\/strong\u003e\u003c\/em\u003eis a project and publication series that highlights and activates physical materials found in public libraries. \u003cstrong\u003ePublic Collectors\u003c\/strong\u003e prefers direct experiences of physical media over the digital.\u003cem\u003e Library Excavations \u003c\/em\u003eencourages intensive browsing of paper and print resources, particularly those that are under-utilized, or at risk of being withdrawn and discarded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eLibrary Excavations #7 \u003c\/strong\u003e\u003c\/em\u003emourns and explores VHS tapes in the public library lending collection. In addition to text and photos from the collection and the discard piles, this booklet also contains reflections on the history of VHS at Chicago's Harold Washington Library Center by librarian Bob Sloane, and thoughts on the state of VHS relative to videos by artists from Abina Manning, the Director of Video Data Bank at the School of the Art Institute of Chicago. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the back cover:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"If you still own a videocassette player and wish to borrow a Video Home System tape from the library, I would jump on that opportunity at your earliest convenience. VHS tapes are quickly vanishing from public library lending collections. This is certainly true at Chicago’s Harold Washington Library Center, where they’ve been appearing in the Secondhand Prose discard nook for some time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecently I began photographing these tapes on their way out of the library. I’ve also started taking pictures of what remains, while it’s still circulating. An on-line review of all of the city’s branches shows a total of about 3,600 tapes in circulation or available for library use. Other tapes have yet to be cataloged. By comparison, there are over 24,000 cataloged DVDs in Chicago Public Library collections.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMany obscure educational titles from the 1990s were among the discards. There have been VHS tapes focusing on consumer awareness of scams, art and music instructional tapes, anti-drug films, job training tapes, author profiles, legal primers, films about workplace problems, and other items that seem unlikely to migrate over to the dominant DVD or web-streaming formats. Unless some dedicated archivists are willing to rip these tapes to digital and upload them onto one of the web-based streaming sites, with or without permission, a lot of this material will likely vanish. Consider this booklet a paper memorial to VHS in the public lending domain.\" \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Marc Fischer\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the Publisher\u003c\/span\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePublic Collectors,\u003c\/strong\u003e founded by Marc Fischer in 2007\u003cstrong\u003e, \u003c\/strong\u003e is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks individuals that have had the luxury to amass, organize, and inventory these materials to help reverse this lack by making their collections public.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eMarc Fischer\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003ePublic Collectors\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2017\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, staple-bound, offset three-colour risograph\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e5.5 x 8.5 inches\u003cbr\u003e38 pages\u003cbr\u003eEdition of 520\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e","brand":"Public Collectors \/ Half Letter Press","offers":[{"title":"Default Title","offer_id":41670153306282,"sku":"","price":6.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/products\/books-cdcc-45.jpg?v=1729876316"},{"product_id":"butter-honey-pig-bread","title":"Butter Honey Pig Bread","description":"\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eIncandescent and evocative, \u003cstrong\u003e\u003cem\u003eButter Honey Pig Bread\u003c\/em\u003e\u003c\/strong\u003e is an intergenerational tale of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan data-mce-style=\"text-decoration: underline;\"\u003eSigned by the author in celebration of \u003cem\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/criticaldistance.ca\/program\/exhibition-burnt-sugar\/\" target=\"_blank\" rel=\"noopener\"\u003eBurnt Sugar\u003c\/a\u003e,\u003c\/strong\u003e\u003c\/em\u003e curated by \u003cstrong\u003efrancesca ekwuyasi\u003c\/strong\u003e and presented at Critical Distance in Fall 2024. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003efrancesca ekwuyasi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eArsenal Pulp Press\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eSoftcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e6 x 9 inches\u003cbr\u003e317 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e978-1-55152-823-6\u003c\/span\u003e\u003c\/p\u003e","brand":"Arsenal Pulp Press","offers":[{"title":"Default Title","offer_id":46263677223082,"sku":"","price":24.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/Image-front-cover1_rb_modalcover.jpg?v=1731779852"},{"product_id":"garden-of-broken-shadows","title":"Garden of Broken Shadows","description":"\u003cp\u003eProduced in conjunction with the summer 2023 exhibition \u003cem\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/program\/garden-of-broken-shadows\/\" target=\"_blank\"\u003eGarden of Broken Shadows\u003c\/a\u003e\u003c\/strong\u003e, \u003c\/em\u003ecurated by \u003cstrong\u003eFatma Hendawy\u003c\/strong\u003e \u003cstrong\u003eYehia\u003c\/strong\u003e, and featuring the artwork of \u003cstrong\u003eLamis Haggag, Katherine Melanin, Ahmed Naji, Anahita Norouzi, \u003c\/strong\u003eand \u003cstrong\u003eEl Rass.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn a transglobal world, race and class are the basis of any immigration system. The fascination with building a new life elsewhere — thinking about immigration as an investment in the future — has become a condition of our times. This exhibition is inspired by the personal experiences and stories that emerge from the condition of migration. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe artists in \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eGarden of Broken Shadows\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e define their relationship with their native land and the process of migration that some of them went through, seeking refuge or a better living as immigrants. Through the use of organic material, text, sound, and technology, these artists manifest the ways in which one could survive and adapt within new environments. The exhibition interweaves these practices, producing a temporal space in which visitors can experience the possibilities of being both here and there — in both Canada and the MENA region (Middle East and North Africa) — simultaneously. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eLamis Haggag\u003cbr\u003eKatherine Melancon\u003cbr\u003eAhmed Naji\u003cbr\u003eAnahita Norouzi\u003cbr\u003eEl Rass\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurator\u003cbr\u003e\u003c\/span\u003eFatma Hendawy Yehia\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003cbr\u003e\u003c\/span\u003e2024\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eBinding\u003cbr\u003e\u003c\/span\u003eSoftcover, perfect-bound, with translucent risograph dust cover and three special inserts: a translucent sheet with text from artist Lamis Haggag, a sticker from artist El Rass, and a \u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/criticaldistance.ca\/event\/the-time-of-balsams\/\" target=\"_blank\"\u003eTime of Balsams\u003c\/a\u003e\u003c\/strong\u003e event postcard designed by Emmie Tsumura. \u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003eSize\u003cbr\u003e\u003c\/span\u003e6 x 9 inches\u003cbr\u003e80 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-1-77-725070-6\u003c\/p\u003e","brand":"Critical Distance","offers":[{"title":"Default Title","offer_id":46344888516778,"sku":"","price":35.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/GOBS_cover_IMG_1886_rt.jpg?v=1778153715"},{"product_id":"accept-yourself-or-die-from-mormon-missionary-to-trans-punk-crossdresser-growing-up-trans-in-the-1990s-and-2000s","title":"Accept Yourself Or Die: From Mormon Missionary To Trans Punk \/ Crossdresser: Growing Up Trans In The 1990s And 2000s","description":"\u003cp\u003e\u003cstrong\u003eImogen Reid’\u003c\/strong\u003es \u003cem\u003e\u003cstrong\u003eAccept Yourself Or Die: From Mormon Missionary to Trans Punk\u003c\/strong\u003e\u003c\/em\u003e travels from small-town Northern Ontario, to the Missionary Training Centre in Provo, Utah, to basement shows in Ottawa. It’s a story about staying stubbornly human in a world that wants to destroy you, and also about how weird it is going door-to-door trying to convert people to Mormonism.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eCrossdresser: Growing Up Trans in the 1990s and 2000s\u003c\/strong\u003e\u003c\/em\u003e, by \u003cstrong\u003eKat Rogue\u003c\/strong\u003e, explores what it does to a closeted trans girl to grow up saturated in the transmisogyny of 1990s pop culture and to come of age online, and how she managed to build her own relationship to femininity despite that. It argues that crossdressing, femme, and transness are more closely linked than some people think, and that Ace Ventura: Pet Detective really could have been great without all the transmisogyny.\u003c\/p\u003e\n\u003cp\u003eThe books are published back-to-back for a double gut-punch of heartfelt, angry, and funny reflections on transfemme coming of age.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthors\u003c\/span\u003e \u003cbr\u003eImogen Reid\u003cbr\u003eKat Rogue\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eSheer Spite Press\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2024\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, flipbook\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e5 x 8 inches\u003cbr\u003e108 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003c\/span\u003e\u003cbr\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-1-7753304-1-7\u003c\/p\u003e","brand":"Sheer Spite Press","offers":[{"title":"Default Title","offer_id":46367523504298,"sku":"","price":15.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/SheerSpite_4.png?v=1732298256"},{"product_id":"pals-the-radical-possibilities-of-friendship-zine","title":"PALS: The Radical Possibilities of Friendship","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eLee Arden\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eSheer Spite Press\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e \u003cbr\u003e2024\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, staple-bound\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e5 x 7 inches\u003cbr\u003e56 pages\u003c\/p\u003e","brand":"Sheer Spite Press","offers":[{"title":"Default Title","offer_id":46367551488170,"sku":"","price":5.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/SheerSpite_2.png?v=1732300579"},{"product_id":"jess-dobkins-wetrospective-constellating-performance-archives","title":"Jess Dobkin's Wetrospective: Constellating performance archives","description":"\u003cp\u003eFrom the Goldfarb Gallery website\u003cem\u003e: Jess \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eDobkin’s Wetrospective: Constellating performance archives\u003c\/em\u003e \u003c\/strong\u003ecelebrates the first-ever retrospective exhibition of performance art icon Jess Dobkin. This book reflects on the internationally acclaimed artist’s playful and provocative practice as performer, curator, and community activist and asks: How do archives perform? With a riot of full-colour photographs,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJess Dobkin’s Wetrospective\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eprovides unparalleled access to Dobkin’s artistic process and production from the last thirty years.\u003c\/p\u003e\n\u003cp\u003eLaying out Dobkin’s archive for all gallery visitors to browse through, this maximal extravaganza first took over the Goldfarb Gallery (formerly AGYU) in 2021 in an\u003ca href=\"https:\/\/thegoldfarbgallery.ca\/project\/wetrospective\/\"\u003e\u003cspan\u003e \u003c\/span\u003eexhibition\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecurated by Emelie Chhangur. Following in the footsteps of the exhibition, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWetrospective\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebook, edited by performance scholar and dramaturg \u003cstrong\u003eLaura Levin\u003c\/strong\u003e, collects the threads of the show and presents Dobkin’s work as it should be: extravagantly, with a cast of theorists and critics including Ann Cvetkovich, Amy Fung, Jehan Roberson, and Roberta Mock. A gaggle of past performance artist collaborators make guest appearances, as well as copious photographs, chronologies, maps, and other archival documents.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditor\u003c\/span\u003e\u003cbr\u003eLaura Levin\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublishers\u003c\/span\u003e\u003cbr\u003eThe Goldfarb Gallery (formerly AGYU)\u003cbr\u003eIntellect Books, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2024\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, colour illustrations\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e10 x 14 inches\u003cbr\u003e192 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-921972-85-3\u003c\/p\u003e","brand":"The Goldfarb Gallery","offers":[{"title":"Default Title","offer_id":46367596380330,"sku":"","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/AGYU_Dobkinbook_web.jpg?v=1732302497"},{"product_id":"migrating-the-margins-circumlocating-the-future-of-toronto-art","title":"Migrating the Margins: Circumlocating the Future of Toronto Art","description":"\u003cp\u003eFrom the Goldfarb Gallery:\u003cbr\u003eThe future of Toronto art is now—and it is happening in that assembler of difference, the suburbs.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eMigrating the Margins\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etraces the roots of artists’ diasporic identities as rerouted through the cosmopolitan hospitality of Toronto’s suburbs. Being at home with an elsewhere is a common condition, but suburban artists affiliate themselves with their neighbours in the peripheries rather than seek their identities “back home” or mimic the artistic strategies of the centre. Beyond the identity politics of postcolonialism, beyond postcolonialism itself, these artists reflect an appositional practice that links periphery to periphery.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMigrating the Margins\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis not a matter of moving the margins to the centre; the margins create their own centres. The suburbs now define the city’s cultural content. The social experiment we know as Toronto is a result of the cultural mixing deriving from decades of immigration and life in the suburbs. As a result of the peripheries no longer reporting to the centre, we no longer look to the past to legitimate our history but to the diversifying differences of an evolving future.\u003c\/p\u003e\n\u003cp\u003eTaking a Glissantian point of view on Toronto’s creole conditions as an organized manifestation of diversity, this book sketches out some of the developing characteristics of an aesthetics of amalgamation that have newly evolved in suburban conditions of peripheral circulation and diversifying totality. The suburbs and suburban artists are forever fated to be entangled in difference, where rooted identities are a thing of the past.\u003c\/p\u003e\n\u003cp\u003eThis book is a companion to the fall 2017 \u003ca href=\"https:\/\/thegoldfarbgallery.ca\/project\/migratingmargins\/\" rel=\"noopener\" target=\"_blank\"\u003eexhibition\u003c\/a\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMigrating the Margins\u003c\/em\u003e, which included work by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eErika DeFreitas\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAnique Jordan\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eTau Lewis\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRajni Perera\u003c\/strong\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNep Sidhu\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand public art projects by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFarrah-Marie Miranda\u003c\/strong\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eOtherness (Pamila Matharu and Marilyn Fernandes)\u003c\/strong\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSister Co-Resister\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eAuthors\u003c\/u\u003e\u003cbr\u003eEmelie Chhangur\u003cbr\u003ePhilip Monk\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003ePublisher\u003c\/u\u003e\u003cbr\u003eThe Goldfarb Gallery (formerly the Art Gallery of York University)\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003ePublication Date\u003c\/u\u003e\u003cbr\u003e2019\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eSize\u003c\/u\u003e\u003cbr\u003e6 × 9 inches\u003cbr\u003e192 pages\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eBinding\u003c\/u\u003e\u003cbr\u003eSoftcover with flaps, smyth-sewn with colour and black + white images\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003eISBN\u003c\/u\u003e\u003cbr\u003e978-0-921972-78-5\u003c\/p\u003e","brand":"The Goldfarb Gallery","offers":[{"title":"Default Title","offer_id":46367773425834,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/Migrating_cover.gif?v=1732311502"},{"product_id":"property-journal","title":"Property Journal","description":"\u003cp\u003eFrom the Book Works website: From December 2021 to December 2022, artist and writer \u003cstrong\u003eAmy Ching-Yan Lam \u003c\/strong\u003ekept a record of each time real estate, property or housing came up in conversation. She called this the\u003cstrong\u003e \u003cem\u003eProperty Journal\u003c\/em\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOver the course of a year, neighbourhood landmarks are demolished, politicians break promises, friends despair, and parents age. Mould appears to grow on Lam’s face moisturiser; as property organises people’s lives, it also overtakes them. What began as a simple framework soon becomes an index of precarity, told through the indignities, dread, and dreamscapes of what we’re able to call ‘home’.\u003c\/p\u003e\n\u003cp\u003eTender, fierce, and mordantly funny,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eProperty Journal\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a damning indictment of the permanent state of affairs known as the housing crisis.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eAmy Ching-Yan Lam\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditor\u003c\/span\u003e\u003cbr\u003eHannah Regel\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDesigner\u003c\/span\u003e\u003cbr\u003eEveleigh Rosen\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublishers\u003c\/span\u003e\u003cbr\u003eBook Works, London\u003cbr\u003eRichmond Art Gallery, BC\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2024\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e216 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e9781912570317\u003c\/p\u003e","brand":"Amy Ching-Yan Lam \/ Book Works","offers":[{"title":"Default Title","offer_id":46368790380714,"sku":"","price":30.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/Property_Journal_Cover-741x1024.jpg?v=1732390617"},{"product_id":"fantasies-on-a-found-phone-dedicated-to-the-man-who-lost-it","title":"Fantasies on a Found Phone, Dedicated to the Man Who Lost It","description":"\u003cdiv class=\"wp-block\"\u003e\n\u003cp\u003eDrawn from an unlocked phone, found in a public toilet, the images and texts present a portrait of a stranger. Moving between the erotic, intimate, baroque and everyday, the compulsive sequence of images references the dissonant and voyeuristic experience of scrolling through social media and swiping in dating apps, and the clash of hyper-capitalist forces of productivity and technology with the intimacy of a queer male gaze.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block\"\u003e\n\u003cp\u003eThis publication accompanies the first UK solo \u003ca rel=\"noopener\" href=\"https:\/\/mosaicrooms.org\/event\/mahmoud-khaled-fantasies-on-a-found-phone-dedicated-to-the-man-who-lost-it\/?_ga=2.8320818.1810234626.1732389938-757579075.1732389938\" target=\"_blank\"\u003eexhibition\u003c\/a\u003e by\u003cstrong\u003e Mahmoud Khaled\u003c\/strong\u003e at The Mosaic Rooms and is co-published by Book Works and The Mosaic Rooms as part of Book Works Co-Series No. 23.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eMahmoud Khaled\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDesigner\u003c\/span\u003e\u003cbr\u003eMarwan Kaabour\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublishers\u003c\/span\u003e\u003cbr\u003eBook Works, London\u003cbr\u003eMosaic Rooms, London\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003cbr\u003e\u003c\/span\u003e2024\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, house in an opaque bag, full colour illustrations\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e4 x 7 inches\u003cbr\u003e144 pages\u003cbr\u003eEdition of 1000\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Book Works UK","offers":[{"title":"Default Title","offer_id":46368794869930,"sku":"","price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/MK_Website_Images-1.png?v=1734807920"},{"product_id":"from-one-universe-to-another-2","title":"From One Universe to Another 2","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eA playful exploration of colour, pattern and form,\u003cem\u003e\u003cstrong\u003e From One Universe To Another 2\u003c\/strong\u003e\u003c\/em\u003e is the 2nd in the series featuring a collection of new drawings by artist \u003cstrong\u003eHattie Stewart.\u003c\/strong\u003e With a free flowing narrative, each page brings together joyful characters, colourful patterns \u0026amp; fantastical worlds to create a new experimental body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eHattie Stewart\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eColour Code\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, coil bound, 6 colour risograph\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e11 x 13 inches, with variable size inserts\u003cbr\u003e46 pagesMbr\u003cedition of\u003e\u003c\/edition\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Colour Code","offers":[{"title":"Default Title","offer_id":46368816038058,"sku":"","price":50.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/images_2.jpg?v=1732397431"},{"product_id":"like-sugar","title":"Like Sugar","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eLike Sugar\u003c\/strong\u003e\u003c\/em\u003e explores both the problematic and the joyful aspects of sugar, complicating our view of how this multi-layered substance affects us. With artwork by contemporary artists such as \u003cstrong\u003eVik Muniz, Julia Jacquette, Zineb Sedira, Laurie Simmons, Kara Walker\u003c\/strong\u003e and \u003cstrong\u003eBushra Junaid,\u003c\/strong\u003e among others; historical materials such as maps, prints, and books; and material culture such as cane-cutting tools and sugar dishes, \u003cem\u003eLike Sugar\u003c\/em\u003e raises questions and encourages contemplation about the role of sugar in our lives. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis book features essays and reflections by curators, artists, and scholars, along with extensive photography of the installation and the individual objects and artworks included in the \u003cstrong\u003e\u003cem\u003e\u003ca href=\"https:\/\/tang.skidmore.edu\/exhibitions\/252-like-sugar\" rel=\"noopener\" target=\"_blank\"\u003eLike Sugar \u003c\/a\u003e\u003c\/em\u003e\u003c\/strong\u003eexhibition at Tang Teaching Museum in 2019.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCritical Distance has recieved these copies in a generous donation from artist Bushra Junaid, as part of the research corner of the recent CDCC exhibition\u003ca href=\"https:\/\/criticaldistance.ca\/program\/exhibition-burnt-sugar\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cem\u003e \u003cstrong\u003eBurnt Sugar.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurators\u003c\/span\u003e\u003cbr\u003eSarah Goodmin\u003cbr\u003eRachel Seligman\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eMaria Magdalena Campos-Pons\u003cbr\u003eSharon Core\u003cbr\u003eWill Cotton\u003cbr\u003eTim Davis\u003cbr\u003eEmily Eveleth\u003cbr\u003eJessica Halonen\u003cbr\u003eKnute Heldner\u003cbr\u003eJulia Jacquette\u003cbr\u003eBushra Junaid\u003cbr\u003eMarilyn Minter\u003cbr\u003eVik Muniz\u003cbr\u003eGarnett Puett\u003cbr\u003eMel Ramos\u003cbr\u003eBecca Rea-Holloway\u003cbr\u003eZineb Sedira\u003cbr\u003eLaurie Simmons\u003cbr\u003eKara Walker\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eContributors\u003c\/span\u003e\u003cbr\u003eMaya Formisano-Neuhoff\u003cbr\u003eNurcan Atalan-Helicke\u003cbr\u003eErica Bastress-Dukehart\u003cbr\u003eIan Berry\u003cbr\u003eMolly Channon\u003cbr\u003eJennifer Cholnoky\u003cbr\u003eFlannery Denny\u003cbr\u003eJordana Dym\u003cbr\u003eAnthony Ryan Hatch\u003cbr\u003eMark Hoffman\u003cbr\u003eTrish Lyell\u003cbr\u003eMonica Raveret Richter\u003cbr\u003eMichael Twitty\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eThe Frances Young Tang Teaching Museum and Art Gallery at Skidmore College\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e 2020\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding \u003c\/span\u003e\u003cbr\u003eHardcover, full colour\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e216 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0998242255\u003c\/p\u003e","brand":"Tang Teaching Museum","offers":[{"title":"Default Title","offer_id":46368852312234,"sku":"","price":30.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/91UchPVGxPL._AC_UF1000_1000_QL80.jpg?v=1732399740"},{"product_id":"revolution-as-an-eternal-dream-the-exemplary-failure-of-the-madame-binh-graphics-collective","title":"Revolution as an Eternal Dream: the Exemplary Failure of the Madame Binh Graphics Collective","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eRevolution as an Eternal Dream: the Exemplary Failure of the Madame Binh Graphics Collective \u003c\/strong\u003e\u003c\/em\u003e(MBGC) examines the political practice and visual propaganda of a now-obscure women's poster, printmaking, and street art collective based in New York City between 1975 and 1983. For a brief, intense period of time, the MBGC collaborated on projects against racism and in solidarity with national liberation movements, producing many beautiful multicolored silkscreened prints, note cards, banners, posters, and other print ephemera before withdrawing into the isolation of a sectarian and militaristic political line. By 1982 its core members were in prison or underground. \u003cem\u003eRevolution as an Eternal Dream\u003c\/em\u003e calls up the perpetual desire for revolution, but also the frailty of such dreams.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthors\u003c\/span\u003e\u003cbr\u003eMary Patten\u003cbr\u003eLucy Lippard (preface)\u003cbr\u003eGregory Sholette (afterword)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDesigner\u003c\/span\u003e\u003cbr\u003eHeather Anderson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eHalf Letter Press, Chicago\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003ePaperback, perfectbound with full color offset printed images\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e8.5 x 5.5 inches\u003cbr\u003e84 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-9818023-1-2\u003c\/span\u003e\u003c\/p\u003e","brand":"Half Letter Press","offers":[{"title":"Default Title","offer_id":46369047347370,"sku":"","price":18.25,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/MaryPattenWEB__86847.jpg?v=1732406560"},{"product_id":"fable-for-tomorrow-wendy-coburn","title":"Fable for Tomorrow Wendy Coburn","description":"\u003cp\u003eThis captivating full-color, hardcover, 96-page catalogue beautifully captures \u003cstrong\u003eWendy\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eCoburn\u003c\/strong\u003e’s 2022 exhibition, ensuring her lasting legacy in Canadian art history. Featuring\u003cbr\u003eessays by \u003cstrong\u003eAndrea Fatona, Caroline Seck Langill, Rebecca Garrett\u003c\/strong\u003e, and \u003cstrong\u003eb.h. Yael\u003c\/strong\u003e,\u003cbr\u003ealongside texts from \u003cstrong\u003eJess Dobkin\u003c\/strong\u003e and \u003cstrong\u003eLisa Deanne Smith\u003c\/strong\u003e, this book is a testament to\u003cbr\u003eCoburn’s profound impact as an artist, educator, and activist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned by Lisa Kiss Design, \u003cem\u003e\u003cstrong\u003eFable for Tomorrow Wendy Coburn\u003c\/strong\u003e\u003c\/em\u003e marks the first\u003cbr\u003ecomprehensive survey of Coburn’s remarkable body of work. 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Or does it just lead to superficial purges that distract us from deeper forms of inequity?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eArtist and writer \u003cstrong\u003eSteven Warwick\u003c\/strong\u003e offers a series of notes on the overlapping social architectures that frame our current discourse on good and evil, seeking to chart a path beyond our collective impasse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003e Steven Warwick\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher \u003c\/span\u003e\u003cbr\u003eFloating Opera Press, Berlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2022\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003e Softcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e4.5 x 6 inches\u003cbr\u003e80 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e9783981910872\u003c\/span\u003e\u003c\/p\u003e","brand":"Steven Warwick \/ Floating Opera Press","offers":[{"title":"Default Title","offer_id":46374692585642,"sku":"","price":24.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/61g51TrW3hL._AC_UF1000_1000_QL80.jpg?v=1734114194"},{"product_id":"after-institutions","title":"After Institutions","description":"\u003cp\u003eFrom Floating Opera Press:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eFaced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. 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Working from models and miniature sets that are powerfully illuminated and then photographed, King’s imposing large-scale photographs offer an intimate vision of perfect landscapes that hover between memories of real places and nostalgia for imaginary sites. Historical, cinematographic and painterly references - notably Caspar Hauser Friedrich and JW Turner - abound in her richly detailed works. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis ten-year mid-career retrospective exhibition catalogue is comprised of four of her most recent series: Twisted Roots, Mangroves: Floating Between Two Worlds, Grand Canyon: Unscene and the recently completed English Cliff series\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis publication was generously donated to Critical Distance by the Robert McLaughlin Gallery, and we are offering it under a pay-what-you-can payment structure. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease email director@criticaldistance.ca for more information about PWYC options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthors\u003c\/span\u003e\u003cbr\u003e Linda Jansma\u003cbr\u003eFrancine Paul\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublishers\u003c\/span\u003e\u003cbr\u003eThe Robert McLaughlin Gallery, Oshawa\u003cbr\u003eThames Art Gallery, Chatam\u003cbr\u003eMusée des beaux-arts de Sherbrooke\u003cbr\u003eArt Mûr, Montreal\u003cbr\u003e Musée du Bas-Saint-Laurent, Rivière-du-Loup\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2015\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eHardcover, full-colour images\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e9.25 x 10.25 inches\u003cbr\u003e116 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguages\u003c\/span\u003e\u003cbr\u003eEnglish\u003cbr\u003eFrench\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-1926589893\u003c\/p\u003e","brand":"Linda Jansma and Francine Paul \/ RMG","offers":[{"title":"Default Title","offer_id":46375432093866,"sku":"","price":40.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/9781926589893-us.jpg?v=1734206319"},{"product_id":"gordon-monahan-seeing-sound-sound-art-performance-and-music-1978-2011","title":"Gordon Monahan, Seeing Sound: sound art, performance and music 1978 - 2011","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cstrong\u003e\u003cem\u003eSeeing Sound: sound art, performance and music 1978–2011\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003eis the first comprehensive monograph on \u003cstrong\u003eGordon Monahan’\u003c\/strong\u003es uncompromising and radically innovative artist's multifaceted body of work. This trilingual book—with parallel text in English, French, and German—was published in conjunction with the 2011 multisite retrospective exhibition of Monahan’s work of the same title. This book begins with three texts about Monahan’s body of work, then goes on to detail 45 of his works with descriptions, scores, and documentary images. The publication comes with DVD documentation of performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis catalogue was generously donated by the Robert McLaughlin Gallery to Critical Distance and is being sold with a pay-what-you-can structure. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease contact director@criticaldistance.ca for more information on our PWYC options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtist\u003c\/span\u003e\u003cbr\u003eGordon Monahan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditors\u003c\/span\u003e\u003cbr\u003eLinda Jansma\u003cbr\u003eCarsten Seiffarth\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eContributors\u003c\/span\u003e\u003cbr\u003eMatthias Osterwold\u003cbr\u003eEarl Miller\u003cbr\u003eGabriele Knapstein\u003cbr\u003eClaudia Wahjudi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eTranslators\u003c\/span\u003e Denis Lessard\u003cbr\u003eMichael Leimer\u003cbr\u003eCatherine Nicols\u003cbr\u003eWilfried Prantner\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublishers\u003c\/span\u003e\u003cbr\u003eMcLaren Art Centre, Barrie\u003cbr\u003eDoris McCarthy Gallery, Scarborough\u003cbr\u003eBlackwood Gallery at the University of Toronto, Mississauga\u003cbr\u003eThe Robert McLaughlin Gallery, Oshawa\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e Hardcover, full-colour images. 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generously donated by the Robert McLaughlin Gallery to Critical Distance and is being sold with a pay-what-you-can structure. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease contact director@criticaldistance.ca for more information on our PWYC options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eLucie Chan\u003cbr\u003eJérôme Havre\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurator\u003c\/span\u003e\u003cbr\u003ePamela Edmonds\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eContributors\u003c\/span\u003e\u003cbr\u003eDonna Raetsen-Kemp\u003cbr\u003eRicky Varghese\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e The Robert McLaughlin Gallery, Oshawa\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: 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Art Gallery in 2011 and at the RMG in 2012.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis catalogue was generously donated by the Robert McLaughlin Gallery to Critical Distance and is being sold with a pay-what-you-can basis. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlease contact director@criticaldistance.ca for more information on our PWYC options.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eArtists\u003c\/span\u003e\u003cbr\u003eMicah Lexier\u003cbr\u003eKelly Mark\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCurator\u003c\/span\u003e\u003cbr\u003eRobin Metcalfe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublishers\u003c\/span\u003e\u003cbr\u003eSaint Mary's University Art Gallery, Halifax\u003cbr\u003eThe Robert McLaughlin 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Taken individually, each essay roots itself in the learning and unlearning process of a first generation settler immigrant as she unfurls each region's sense of place and identity\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eAmy Fung\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublishers \u003c\/span\u003e\u003cbr\u003eBook*Hug Press, Toronto\u003cbr\u003eArtspeak Gallery, Vancouver\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2019\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e8 x 5.25 inches\u003cbr\u003e192 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003cbr\u003e\u003c\/span\u003ePaperback\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9781771665056\u003c\/span\u003e\u003c\/p\u003e","brand":"Amy Fung \/ Book*Hug Press","offers":[{"title":"Default Title","offer_id":46378141876394,"sku":"","price":20.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/Before-I-Was-a-Critic-I-Was-a-Human-Being-by-Amy-Fung-Cover.jpg?v=1733940150"},{"product_id":"the-phantom","title":"The Phantom","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFrom the publisher:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHannah Black has established “the interview” as central to her art practice. Initially developed as an anti-representational strategy, it has become a way for her to break down the idea of linear progression (whether in history or in politics), playing with the chronology of a conversation and yet still achieving a coherent narrative. She compares her process of editing to the process of writing, breaking down and building up the recordings as needed. By primarily presenting the voice of the subject of her intensive interviews, she complicates the authoritarian nature of writing, and art-making, by positioning the artist not in relation to some\u003cem\u003ething\u003c\/em\u003e but rather to some\u003cem\u003eone\u003c\/em\u003e. Like cinema verité, her role is acknowledged and present but only in stepping back from the main focus, allowing the viewer to engage with the interview subjects as primarily subjects, but subjects always mediated by Black’s editorial process.\u003c\/p\u003e\n\u003cp\u003eThis reader is published as an extension of Black’s exhibition \u003cem\u003eThe Meaning of Life\u003c\/em\u003e, commissioned for the AGYU in 2022. The solo exhibition featured a 2-channel video installation including \u003cem\u003eBroken Windows\u003c\/em\u003e and\u003cem\u003e POLITICS! \u003c\/em\u003ealong with a series of objects related to brands, shopping, and looting. Also on view was a selection of Black’s earlier video work, which uses the interview as a basic format and formal process. All the video works featured in the exhibition are transcribed in this reader, along with a few additional key works. The book is introduced by an interview with Black and Jenifer Papararo, director\/curator of AGYU. Teasing out Black’s motivations and strategies, Papararo frames these transcripts as research material, a resource for readers to use to approach the disfluencies of Black’s videos and as a way of critically engaging in the overarching role of capital in contemporary society.\u003c\/p\u003e\n\u003cp\u003eElegantly designed by Mark Bennett, this limited-run publication will prove key in contextualising the videos of Hannah Black and her use of video as subject and process. Available now on the AGYU website, and soon through other venues.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eHannah Black\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eThe Goldfarb Gallery (aka the Art Gallery of York University)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2024\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSmyth-sewn softcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e5 x 7 inches\u003cbr\u003e128 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e978-0-921972-85-3\u003c\/p\u003e","brand":"Hannah Black \/ The Goldfarb Gallery","offers":[{"title":"Default Title","offer_id":46398821761194,"sku":"","price":24.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/AGYU_ThePhantom_web.jpg?v=1733950861"},{"product_id":"like-this-a-workbook-on-sex-desire-boundaries-logistics","title":"Like This: a workbook on sex, desire, boundaries, \u0026 logistics","description":"\u003cp\u003eThis is a 28-page half-letter-size workbook zine designed to help people to reflect on and share what they need and want sexually, with a focus on navigating sex \u0026amp; kink in a way that’s informed by my own experiences with transness, trauma, and disability justice. A friendly, nonjudgmental focus on exploring and expressing access needs and other potentially complicated aspects of sex and having a body, is woven throughout. \u003cem\u003e(Source: Sheer Spite website)\u003c\/em\u003e\u003c\/p\u003e","brand":"Sheer Spite Press","offers":[{"title":"Default Title","offer_id":46401045758122,"sku":"","price":10.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/like-this-a-workbook-on-sex-desire-boundaries-and-logistics-digital_jpg.webp?v=1734043657"},{"product_id":"c-magazine-mirror-mirror","title":"C Magazine Issue 159: Mirror Mirror","description":"\u003cp\u003e\u003cspan\u003eThis issue of C Magazine looks through the mirror as a bleeding surface—a metaphor for acts of seeing, thinking, and creating that return your gaze. We recognize that the way we look in a mirror is also the way we tell a story, as a reflection of value systems and the stakes of lucidity and distortion, especially under colonial systems that would twist their subjects’ humanity. Many texts here, between artists and writers, take the form of dialogues, and think through persistent possibilities of visual revelation, language, and mourning. Formal and symbolic fractures are reflected through chimerical imagery, Hong Kong cinemas of resistance, Puerto-Rican space-time, physical and spiritual intertwining, and a real place to land for both joy and grief—the end of a rainbow, or its burning. \u003cem\u003e(Source: C Magazine website)\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditor\u003c\/span\u003e\u003cbr\u003eJoy Xiang\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAssociate Editor\u003c\/span\u003e \u003cbr\u003eMaandeeq Mohamed\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eC the Visual Arts Foundation\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDesigner\u003c\/span\u003e\u003cbr\u003eHwa-Jin Jun\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e 2024\u003c\/p\u003e","brand":"C Magazine","offers":[{"title":"Default Title","offer_id":46403335028906,"sku":"","price":8.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/C159_Cover_549e7a5aaa.webp?v=1734804302"},{"product_id":"against-morality","title":"Against Morality","description":"\u003cp\u003eShould art be determined by political ideals? In recent decades art institutions have sought to embody liberal values of universal equality and social justice. This move toward greater inclusivity has borne witness to a countervailing trend: artworks are increasingly scrutinized for their political implications, and artists must take care not to transgress particular moral fault lines. Examining contemporary exhibitions as well as works of art and film, and the broader cultural reactions to them, Rosanna McLaughlin investigates the consequences of this moralizing approach to creative work. She invites us to rethink the connection between political values and art―and to ask whether a relationship between them should exist at all. In arguing against morality in the arts, McLaughlin lays the groundwork for a more expansive concept of difference in twenty-first-century art making. \u003cem\u003e(Source: Floating Opera Press website)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003c\/span\u003e\u003cbr\u003eRosanna McLaughlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003eFloating Opera Press, Berlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003ePaperback\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003c\/span\u003e\u003cbr\u003e6.5 x 5 inches\u003cbr\u003e70 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e9783982668321\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Rosanna McLaughlin \/ Floating Opera Press","offers":[{"title":"Default Title","offer_id":46822725812394,"sku":null,"price":26.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/FOP-CES-008_McLaughlin_16Okt24-723x1024.jpg?v=1747617743"},{"product_id":"convivialities","title":"Convivialities","description":"\u003cp\u003e\u003cem\u003eConvivialities\u003c\/em\u003e is a collection of dialogues with contemporary writers and artists Dana Michel, Joshua Clover and Jasper Bernes, Shanzhai Lyric, Cecily Nicholson, Raven Chacon, Divya Victor, Carlos Soto Román, Tanya Lukin Linklater, Gail Scott, Kevin Davies, The Culture and Technology Discussion and Working Group, and Ryan C. Clarke. The dialogues vary. Some are chatty, others theoretical. They model how we might talk, think, and listen together.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConvivialities\u003c\/em\u003e investigates how writers and artists craft their works, the contexts in which they make them, the intellectual and artistic histories that inspire their ways of working, and the cultural issues at the core of their practices. And, perhaps most of all, it asks how they continue to create in a world ravaged by climate crisis, economic crisis, settler colonialism, and imperialism. \u003cem\u003e(Source: Talonbooks website)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003cbr\u003e\u003c\/span\u003eMichael Nardone\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eContributors\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDana Michel\u003cbr\u003eJoshua Clover \u003cbr\u003eJasper Bernes\u003cbr\u003eShanzhai Lyric\u003cbr\u003eCecily Nicholson\u003cbr\u003eRaven Chacon\u003cbr\u003eDivya Victor\u003cbr\u003eCarlos Soto Román\u003cbr\u003eTanya Lukin Linklater\u003cbr\u003eGail Scott\u003cbr\u003eKevin Davies\u003cbr\u003eThe Culture and Technology Discussion and Working Group\u003cbr\u003eRyan C. Clarke\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eDesigner\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eSita Singh\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003ePublisher\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eTalonbooks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003ePublication Date\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8.5 x 5.5 inches\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e229 pages\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eBinding\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eSoftcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9781772016468\u003c\/span\u003e\u003c\/p\u003e","brand":"Michael Nardone","offers":[{"title":"Default Title","offer_id":47492231495850,"sku":null,"price":25.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/Convivialities.jpg?v=1759608117"},{"product_id":"as-for-protocols","title":"As For Protocols","description":"\u003cp style=\"text-align: left;\"\u003eExplicitly—or not—protocols determine much of what we do. Far exceeding traditional notions of “good manners,” protocols are systems of language that regulate how we relate to each other, to our cultural, social, and political environments, and to the technologies that create them. The first publication to critically examine protocols across a wide range of disciplines, As for Protocols brings together contributions by twenty-four international artists, writers, scholars, musicians, architects, and scientists who explore protocols across various fields, foregrounding opportunities for creating new protocols that are inclusive and equitable. Through essays, artworks, interviews, and scores, the book speaks to protocols as practice—neither conventional mannerisms nor abstract concepts, but material processes, relational affinities, shared responsibilities, and mutual care. \u003cem\u003e(Source: Amherst College Press website)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEditors\u003cbr\u003e\u003c\/span\u003eRe’al Christian\u003cbr\u003eCarin Kuoni\u003cbr\u003eEriola Pira\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eContributors\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eRaven Chacon \u003cbr\u003eSalome Asega\u003cbr\u003eCarolina Caycedo\u003cbr\u003eLupita Limón Corrales\u003cbr\u003eJesse Chun\u003cbr\u003eAsia Dorsey\u003cbr\u003eTaraneh Fazeli\u003cbr\u003eCannach MacBride\u003cbr\u003ePablo Helguera\u003cbr\u003eEmmanuel Iduma\u003cbr\u003eMary Maggic\u003cbr\u003eShannon Mattern\u003cbr\u003eV. 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The book draws from Hupfield’s “coffee breaks”—conversations held over Zoom during the pandemic, in which Hupfield invited international Indigenous performance artists to discuss their work (from dance to stand-up comedy), who in turn invited other artists to join the conversations. Building on these exchanges, \u003ci\u003eBreaking Protocol\u003c\/i\u003e centers on Indigenous place-based artistic modes of making and practice to open spaces for reciprocity and multiplicity.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eEditor\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eMaria Hupfield\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eContributors\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eJackson 2bears\u003cbr\u003ePelenakeke Brown\u003cbr\u003eKatherine Carl\u003cbr\u003eRe’al Christian\u003cbr\u003eChristen Clifford\u003cbr\u003eTJ Cuthand\u003cbr\u003eRaven Davis\u003cbr\u003eVanessa Dion Fletcher\u003cbr\u003eGabrielle L’Hirondelle Hill\u003cbr\u003eCandice Hopkins\u003cbr\u003eAkiko Ichikawa\u003cbr\u003eUrsula Johnson\u003cbr\u003eKite\u003cbr\u003eCharles Koroneho\u003cbr\u003eCarin Kuoni\u003cbr\u003eTanya Lukin Linklater\u003cbr\u003eCathy Mattes\u003cbr\u003ePeter Morin\u003cbr\u003eMeagan Musseau\u003cbr\u003eWanda Nanibush\u003cbr\u003eArcher Pechawis\u003cbr\u003eRosanna Raymond\u003cbr\u003eSkeena Reece\u003cbr\u003eGeorgiana Uhlyarik\u003cbr\u003eCharlene Vicker\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eReflections on;\u003c\/span\u003e\u003cbr\u003eRebecca Belmore\u003cbr\u003eLori Blondeau\u003cbr\u003eDennis RedMoon Darkheem\u003cbr\u003eNatalie Diaz\u003cbr\u003ethe Dime Collective\u003cbr\u003eCheryl L’Hirondelle\u003cbr\u003eJane Schoolcraft\u003cbr\u003eLaakkuluk Williamson Bathory\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eDesigner\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIN-FO.CO\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003ePublisher\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eInventory Press\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003eVera List Center for Art and Politics at The New School\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003ePublication Date\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eSize\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6.5 × 9 inches\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan\u003e144 pages\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eBinding\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eSoftcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; 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Building on notions such as \"wetness,\" \"streams,\" and \"currents,\" Wolfond constructs a linguistic universe in which writing and perception merge, move, and \"place together\" - echoing both the togetherness of the senses and the gathering rhythms of water. Open Book in Ways of Water is as much a book of poetry and a book about poetry, a self-reflection in an endlessly moving and transforming element. \u003cbr\u003e\u003cbr\u003eLanguage is a way to understand each other but it is also reductive in the ways that it is abstracted and non-sensuous, and open writing as movement tends to be ignored as autistics are forced into neurotypical ways of seeing, and the thinking around artistic practices feels of a pace that intensifies the use of forms forming, and similarities with open processes are languaging the way of water, making language about artful relations with the more than human.\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003cbr\u003eAuthor\u003cbr\u003e\u003c\/span\u003eAdam Wolfond\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003cbr\u003e\u003c\/span\u003ePunctum Books\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2023\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003cbr\u003e\u003c\/span\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e5.5 x 8.5 inches\u003cbr\u003e93 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Author\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdam Wolfond \u003c\/strong\u003eis a non-speaking autistic writer and artist. His work includes public speaking by typing, creative writing, poetry, podcast, and several art exhibitions where he focuses on movement, water, and relation.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e978-1-68571-138-2\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"dis assembly","offers":[{"title":"Default Title","offer_id":47608847597738,"sku":null,"price":27.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/ScreenShot2025-11-14at2.57.43PM.png?v=1763150447"},{"product_id":"the-wanting-way","title":"The Wanting Way","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAuthor\u003cbr\u003e\u003c\/span\u003eAdam Wolfond\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003cbr\u003e\u003c\/span\u003eMilkweed Editions\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication date\u003c\/span\u003e\u003cbr\u003e2022\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003cbr\u003e\u003c\/span\u003eSoftcover\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSize\u003cbr\u003e\u003c\/span\u003e6 x 9 inches\u003cbr\u003e93 pages\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLanguage\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003eEnglish\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAbout the Author\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAdam Wolfond \u003c\/strong\u003eis a non-speaking autistic artist, prose writer, and poet. He has two poetry chapbooks, In way of Music Water Answers Toward Questions Other Than What is Autism and There is Too Much Music in My Ears, and is the co-founder of  dis assembly, a neurodiverse arts collective in Toronto.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003cbr\u003e\u003c\/span\u003e978-1-6571315502\u003c\/p\u003e","brand":"dis assembly","offers":[{"title":"Default Title","offer_id":47608853659818,"sku":null,"price":22.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/ScreenShot2025-11-14at2.49.51PM.png?v=1763149887"},{"product_id":"amy-ching-yan-lam-83-perfect","title":"Amy Ching-Yan Lam: 83% Perfect","description":"","brand":"The Goldfarb Gallery","offers":[{"title":"Default Title","offer_id":47625648603306,"sku":null,"price":24.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/83Perfect-cover.jpg?v=1763063593"},{"product_id":"the-word-for-world-the-maps-of-ursula-k-le-guin","title":"The Word for World: The Maps of Ursula K. Le Guin","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen Ursula K. Le Guin started writing a new story, she would begin by drawing a map.\u003c\/span\u003e\u003cspan\u003e \u003cem\u003eThe Word for World\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003epresents a selection of these images by the celebrated author, many of which have never been published before, to consider how her imaginary worlds enable us to re-envision our own. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLe Guin’s maps offer journeys of consciousness beyond conventional cartography, from the Rorschach-like archipelagos of Earthsea to the talismanic maps of \u003c\/span\u003e\u003cem\u003eAlways Coming Home\u003c\/em\u003e\u003cspan\u003e. Rather than remaining within known terrain, they open up paradigms of knowledge, exemplified by the map’s edges and how a map is read, made and re-made, together. \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe Word for World\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003ebrings her maps together with poems, stories, interviews, recipes and essays by contributors from a variety of perspectives to enquire into the relationship between worlds and how they are represented and imagined. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eContributors: Federico Campagna, Theo Downes-Le Guin, Daniel Heath Justice, Bhanu Kapil, Canisia Lubrin, Una McCormack, David Naimon, Nisha Ramayya, Shoshone Collective, Standard Deviation, Marilyn Strathern.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003eCo-published by Spiral House and AA Publications to coincide with\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.aaschool.ac.uk\/publicprogramme\/whatson\/the-word-for-world\" rel=\"noopener\" class=\"text-link\" target=\"_blank\"\u003ean exhibition of Ursula K. Le Guin’s maps at the Architectural Association, London.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003eEditors\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eSo Mayer\u003cbr\u003eSarah Shin \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eContributors\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eFederico Campagna\u003cbr\u003eTheo Downes-Le Guin\u003cbr\u003eDaniel Heath Justice\u003cbr\u003eBhanu Kapil\u003cbr\u003eCanisia Lubrin\u003cbr\u003eUna McCormack\u003cbr\u003eDavid Naimon\u003cbr\u003eNisha Ramayya\u003cbr\u003eShoshone Collective\u003cbr\u003eStandard Deviation\u003cbr\u003eMarilyn Strathern\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublisher\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSpiral House\u003cbr\u003eSilver Press\u003cbr\u003eAA Publications\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePublication Date\u003c\/span\u003e\u003cbr\u003e2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBinding\u003c\/span\u003e\u003cbr\u003eSoftcover, perfect-bound\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eISBN\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e 978-1-0685918-1-5\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Silver Press","offers":[{"title":"Default Title","offer_id":47625752445098,"sku":null,"price":45.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2426\/1089\/files\/250708_LeGuin_Cover_Front_720x_06a15f3a-2071-44c0-8b05-bf654c2edee5.webp?v=1763064770"},{"product_id":"bodies-of-sound-becoming-a-feminist-ear","title":"Bodies of Sound - Becoming a Feminist Ear","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e‘I am concerned with the power of sound! and what it can do to the body and the mind,’ wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. \u003cem\u003eBodies of Sound \u003c\/em\u003eoffers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. 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